| Cameron, J. (Director) (1991). Terminator 2: Judgement day [Film]. J. Cameron (Producer). USA: Tri-Star Pictures. |
 
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| Added by: Mark Grimshaw-Aagaard 07/05/2006, 16:51 |
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| Cambron, M. A chat with Chance Thomas. Retrieved December 20, 2004, from http://www.gignews.com/goddess/chancethomas.htm |
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| Calleja, G. (2014). Immersion in virtual worlds. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 222–236). New York: Oxford University Press. |
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| Last edited by: Mark Grimshaw-Aagaard 11/09/2018, 17:21 |
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| Calleja, G. 2007, September 24–28, Revising immersion: A conceptual model for the analysis of digital game involvement. Paper presented at Situated Play, University of Tokyo. |
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| Added by: Mark Grimshaw-Aagaard 23/08/2009, 11:31 |
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| Calleja, G. (2007). Digital games as designed experience: Reframing the concept of immersion. Unpublished thesis PhD, Victoria University, Wellington, New Zealand. |
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| Last edited by: Mark Grimshaw-Aagaard 12/09/2008, 20:15 |
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| Cahen, R., Rodet, X., & Lambert, J.-P. 2005, Sound navigation in phase installation: Producing music as performing a game using haptic feedback. Paper presented at International Conference on Virtual Storytelling. |
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| Added by: Mark Grimshaw-Aagaard 08/01/2007, 07:00 |
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| Bystrom, K.-E., Barfield, W., & Hendrix, C. (1999). A conceptual model of the sense of presence in virtual environments. Presence: Teleoperators and Virtual Environments, 8(2), 241–244. |
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| Byrne, R. M. J. (2007). The rational imagination: How people create alternatives to reality. Cambridge: The MIT Press. (Original work published 2005). |
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| Added by: Mark Grimshaw-Aagaard 27/08/2011, 04:49 |
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| Bussemakers, M. P., & de Haan, A. 1998, November 1–4, Using earcons and icons in categorisation tasks to improve multimedia interfaces. Paper presented at 5th International Conference on Auditory Display. |
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| Added by: Mark Grimshaw-Aagaard 23/02/2006, 14:18 |
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| Burroughs, E. R. (2021). Tarzan of the apes. Project Gutenberg. (Original work published 1914). |
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| Last edited by: Mark Grimshaw-Aagaard 30/08/2022, 12:26 |
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| Burroughs, E. R. (2012). Tarzan and the castaways. Project Gutenberg of Australia. (Original work published 1965). |
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| Added by: Mark Grimshaw-Aagaard 30/08/2022, 09:54 |
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| Burroughs, E. R. (2008). The beasts of Tarzan. Project Gutenberg. (Original work published 1916). |
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| Last edited by: Mark Grimshaw-Aagaard 20/04/2022, 08:22 |
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| Burn, A., & Schott, G. (2004). Heavy hero or digital dummy? Multimodal player-avatar relations in Final Fantasy 7. visual communication, 3(2), 213–233. |
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| Last edited by: Mark Grimshaw-Aagaard 15/08/2006, 15:13 |
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| Burn, A., & Parker, D. (2003). Analysing media texts. London: Continuum. |
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| Added by: Mark Grimshaw-Aagaard 08/11/2006, 10:44 |
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| Burn, A., Carr, D., & Schott, G. 2003, September 1. Why should we study digital games? MediaMagazine, pp. 9–11. |
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| Added by: Mark Grimshaw-Aagaard 06/09/2004, 17:52 |
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| Burill, D. A. (2002). 'oh grow up 007': The performance of bond and boyhood in film and videogames. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 181–193). London: Wallflower Press. |
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| Added by: Mark Grimshaw-Aagaard 05/10/2004, 12:02 |
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| Bunzeck, N., Wuestenberg, T., Lutz, K., Heinze, H.-J., & Jancke, L. (2005). Scanning silence: Mental imagery of complex sounds. NeuroImage, 26(4), 1119–1127. |
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| Added by: Mark Grimshaw-Aagaard 03/05/2014, 11:59 |
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| Bungie Studios. (2001-2004). Halo series. [Computer Game]. Redmond: Microsoft. |
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| Last edited by: Mark Grimshaw-Aagaard 13/04/2006, 14:39 |
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| Bull, M. (2004). Thinking about sound, proximity and distance in western experience: The case of Odysseus' walkman. In V. Erlmann (Ed.), Hearing Cultures: Essays on Sound Listening and Modernity (pp. 173–190). Oxford: Berg. |
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| Added by: Mark Grimshaw-Aagaard 20/12/2007, 16:44 |
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| Bull, M., & Back, L. (Eds). (2003). The auditory culture reader. Oxford: Berg. |
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| Added by: Mark Grimshaw-Aagaard 14/05/2016, 11:14 |
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