| Casati, R., Dokic, J., & Di Bona, E. (2005-2020). Sounds. Stanford Encyclopedia of Philosophy. Retrieved October 27, 2021, from http://plato.stanford.edu/entries/sounds/. |
 
|
| Last edited by: Mark Grimshaw-Aagaard 11/02/2024, 10:09 |
|
| Castellano, D. J. (2003). Does Aristotle really say that bees are deaf? Retrieved August 19, 2015, from http://www.arcaneknowle ... ltheo/aristotlebees.htm |
|
| Last edited by: Mark Grimshaw-Aagaard 19/08/2015, 17:07 |
|
| Castro, J. B., & Seeley, W. P. (2014). Olfaction, valuation, and action: reorienting perception. Frontiers in Psychology, 5(299), 1–4. |
|
| Added by: Mark Grimshaw-Aagaard 29/09/2015, 12:12 |
|
| Cavalcanti, A. (1939). Sound in films. Retrieved January 16, 2006, from https://web.archive.org ... /575/sound-in-films.htm |
|
| Last edited by: Mark Grimshaw-Aagaard 10/09/2021, 10:23 |
|
| Chagas, P. C. (2005). Polyphony and embodiment: A critical approach to the theory of autopoiesis. Revista Transcultural de Música, 9 Retrieved July 7, 2006, from http://www.sibetrans.com/trans/trans9/chagas.htm |
|
| Added by: Mark Grimshaw-Aagaard 07/07/2006, 11:11 |
|
| Chalmers, D. J. (2017). The virtual and the real. Disputatio, 9(46), 309–352. |
|
| Last edited by: Mark Grimshaw-Aagaard 19/07/2021, 05:59 |
|
| Chekhov, A. (1986). The telephone. Journal of Alternative Philosophy et Alia Omnia Superna et Inferna, 1(2). Retrieved June 21, 2006, from http://atschool.eduweb. ... hilosophy/chekhov1.html |
|
| Added by: Mark Grimshaw-Aagaard 21/06/2006, 06:50 |
|
| Cho, J., Yi, E., & Cho, G. (2001). Physiological responses evoked by fabric sounds and related mechanical and acoustical properties. Textile Research Journal, 71(12), 1068–1073. |
|
| Last edited by: Mark Grimshaw-Aagaard 22/04/2009, 09:29 |
|
| Christiansen, M. (2023). Ultralydskanning i graviditeten. Retrieved April 4, 2024, from https://www.sundhed.dk/ ... kanning-i-graviditeten/ |
|
| Added by: Mark Grimshaw-Aagaard 04/04/2024, 12:47 |
|
| Clair, R. (1929). The art of sound. Retrieved September 10, 2021, from https://web.archive.org ... ne/575/art-of-sound.htm |
|
| Last edited by: Mark Grimshaw-Aagaard 10/09/2021, 10:17 |
|
| Clark, A. (2013). Expecting the world: Perception, prediction, and the origins of human knowledge. Journal of Philosophy, CX(9), 469–496. |
|
| Last edited by: Mark Grimshaw-Aagaard 26/07/2018, 10:36 |
|
| Clarke, S. 2011, November 2–4, Acoustic design approach for hospitals. Paper presented at Acoustics. |
|
| Last edited by: Mark Grimshaw-Aagaard 11/03/2018, 21:41 |
|
| Cobussen, M. (2003). Ethics and/in/as silence. Ephemera, 3 Retrieved September 9, 2004, from http://www.ephemeraweb. ... nal/3-4/3-4cobussen.pdf |
|
| Added by: Mark Grimshaw-Aagaard 09/09/2004, 20:47 |
|
| Coleman, G. W., Macaulay, C., & Newell, A. F. (2006). Listen to this: Using ethnography to inform the design of auditory interfaces. Haptic and Audio Interaction Design, Proceedings, 2006, 133–144. |
|
| Last edited by: Mark Grimshaw-Aagaard 15/05/2008, 15:13 |
|
| Collins, K. E. Video games audio. Retrieved November 19, 2003, from http://www.dullien-inc. ... llins/texts/vgaudio.pdf |
|
| Added by: Mark Grimshaw-Aagaard 09/09/2004, 20:50 |
|
| Collins, K. (2005). From bits to hits: Video games music changes its tune. Film International, 12, 4–19. |
|
| Added by: Mark Grimshaw-Aagaard 24/09/2010, 08:02 |
|
| Collins, K. E. (2007). GamesSound.com: Academic research into games audio. Retrieved January 4, 2008, from http://gamessound.com/ |
|
| Last edited by: Mark Grimshaw-Aagaard 10/03/2014, 15:28 |
|
| Consalvo, M. (2003). Zelda 64 and video game fans. Television & New Media, 4, 321–334. |
|
| Added by: Mark Grimshaw-Aagaard 01/07/2010, 03:11 |
|
| Cook, P. R. (2002). Sound production and modelling. IEEE Computer Graphics and Applications, 22(4), 23–27. |
|
| Added by: Mark Grimshaw-Aagaard 14/02/2006, 15:07 |
|
| Copier, M. 2003, November 4–6, The other game researcher: Participating in and watching the construction of boundaries in game studies. Paper presented at Level Up. |
|
| Last edited by: Mark Grimshaw-Aagaard 31/08/2006, 10:57 |
|
