| Garner, T. A. (2024). The fundamental frequency: Extending sound perception theory to extended-reality collaborative environments. Computers & Education: X Reality, 5, 100080. |
 
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| Novelli, N., & Proksch, S. (2022). Am i (deep) blue? Music-making AI and emotional awareness. Frontiers in Neurorobotics, 16. |
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| Øhrstrøm, P. (2024). Travelling in branching time: A Priorean perspective. In A. M. Holand (Ed.), Time in our Times: Stretching Contemporary Understandings of Time (pp. 27–55). Berlin: De Gruyter. |
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| Holand, A. M. (Ed.). (2024). Time in our times: Stretching contemporary understandings of time. Berlin: De Gruyter. |
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| Grimshaw-Aagaard, M. 2024, August 25–29, The abjection of ultrasound. Paper presented at 53rd International Congress & Exposition on Noise Control Engineering. |
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| Kopjlar, S., Dodds, P., Grimshaw-Aagaard, M. N., Krogh Groth, S., Gustafsson, C., & Koldkjær Højlund, M., et al. 2024, August 25–29, Sound of democracy: Towards the democratisation of standards for soundscapes. Paper presented at 53rd International Congress & Exposition on Noise Control Engineering. |
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| Persyn, L. (2024). The sound of a shared intimacy: A phenomenological research into sound(ing) and listening in performance practices. Unpublished Doctor of Art Studies PhD, Ghent University, Belgium. |
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| Pasnau, R. (2007). Democritus and secondary qualities. Archiv für Geschichte der Philosophie, 89(2), 99–121. |
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| Berg, R. E. (2024). Ultrasonics. Encyclopædia Britannica. Retrieved July 17, 2024, from https://www.britannica.com/science/ultrasonics. |
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| Cohen, S. M. (1982). St. Thomas Aquinas on the immaterial reception of sensible forms. The Philosophical Review, 91(2), 193–209. |
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| Physicists count sound particles with quantum microphone. 2020, August 6. U.S. National Science Foundation. |
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| Arrangoiz-Arriola, P., Wollack, A. E., Wang, Z., Pechal, M., Jiang, W., & McKenna, T. P., et al. (2019). Resolving the energy levels of a nanomechanical oscillator. Nature, 571(7766), 537–540. |
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| Sloman, L. 2019, August 30. Trapping the tiniest sound. Scientific American. |
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| Dack, J. (2017). Pierre Schaeffer’s treatise on musical objects and music theory. In An Essay across Disciplines (pp. xxix–xxxiv). Berkeley: University of California Press. |
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| Rabelais, F. (1894). Gargantua and Pantagruel. Derby: Moray Press. |
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| Manning, P. (2003). The influence of recording technologies on the early development of electroacoustic music. Leonardo Music Journal, 13, 5–10. |
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| Added by: Mark Grimshaw-Aagaard 7/12/24, 10:21 AM |
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| Grimshaw-Aagaard, M., & Walther-Hansen, M. (2024). Less-is-more: Auditory strategies for reduced reality. Personal and Ubiquitous Computing. |
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| Wertheimer, M., & Riezler, K. (1944). Gestalt theory. Social Research, 11(1), 78–99. |
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| Boethius. (1989). Fundamentals of music. C. M. Bower, Trans. New Haven and London: Yale University Press. |
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| Jones, C. (1946). Music and the animated cartoon. Hollywood Quarterly, 1(4), 364–370. |
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| Added by: Mark Grimshaw-Aagaard 5/17/24, 9:48 AM |
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