Gibson, J. J. (1966). The senses considered as perceptual systems. Boston: Houghton Mifflin. |
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Last edited by: Mark Grimshaw-Aagaard 26/04/2013, 10:00 |
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Griffin, D. R., & Galambos, R. (1941). The sensory basis of obstacle avoidance by flying bats. Journal of Experimental Zoology, 86(3), 481–506. |
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Added by: Mark Grimshaw-Aagaard 31/03/2023, 09:17 |
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Anzieu, D. (1989). The skin ego: A psychoanalytical approach to the self. C. Turner, Trans. New Haven and London: Yale University Press. |
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Last edited by: Mark Grimshaw-Aagaard 18/05/2023, 07:18 |
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Lycan, W. (2000). The slighting of smell (with a brief word on the slighting of Chemistry). In N. Bhushan & S. Rosenfeld (Eds), Of Minds and Molecules: New Philosophical Perspectives on Chemistry (pp. 273–289). New York: Oxford University Press. |
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Last edited by: Mark Grimshaw-Aagaard 04/10/2023, 17:44 |
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Southworth, M. (1969). The sonic environment of cities. Environment and Behavior, 1(1), 49–70. |
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Added by: Mark Grimshaw-Aagaard 01/01/2020, 16:55 |
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Gaver, W. W. (1989). The SonicFinder, a prototype interface that uses auditory icons. Human Computer Interaction, 4(1), 67–94. |
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Last edited by: Mark Grimshaw-Aagaard 26/04/2013, 16:41 |
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Hermann, T., Hunt, A., & Neuhoff, J. G. (Eds). (2011). The sonification handbook. Berlin: Logos Verlag. |
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Added by: Mark Grimshaw-Aagaard 10/02/2015, 14:54 |
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The sound ambiguity. Karol Lipinski Academy of Music, Wrocławiu, Poland: April 24–25 2014. |
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Last edited by: Mark Grimshaw-Aagaard 24/11/2014, 14:35 |
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Spadoni, R. (2007). The sound and the horror. University of Chicago Magazine, 100(1). Retrieved November 20, 2008, from http://magazine.uchicag ... 0/features/horror.shtml |
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Added by: Mark Grimshaw-Aagaard 20/11/2008, 08:38 |
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Escalante, J. M. 2015, April 8–10, The sound digestive system: A strategy for music and sound composition. Paper presented at Evolutionary and Biologically Inspired Music, Sound, Art and Design, Copenhagen. |
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Added by: Mark Grimshaw-Aagaard 09/04/2015, 09:59 |
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Johansson, L., Bergbom, I., Persson Waye, K., Ryherd, E., & Lindahl, B. (2012). The sound environment in an icu patient room: A content analysis of sound levels and patient experiences. Intensive and Critical Care Nursing, 28(5), 269–279. |
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Added by: Mark Grimshaw-Aagaard 13/03/2018, 10:25 |
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Dahl, R. (2012). The sound machine. Electronic ed. London: Penguin Books. (Original work published 1949). |
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Added by: Mark Grimshaw-Aagaard 15/01/2023, 16:20 |
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The sound of horror. 2003, August 29. B. Carpenter (Producer). Boston: WZBC 90.3 FM Boston College. |
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Last edited by: Mark Grimshaw-Aagaard 20/11/2008, 08:48 |
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Mala, E. 2008, November 24. The sound of horror. Newsweek. |
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Added by: Mark Grimshaw-Aagaard 20/11/2008, 10:46 |
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Théberge, P. (1989). The 'sound' of music: Technological rationalization and the production of popular music. New Formations, 8, 99–111. |
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Added by: Mark Grimshaw-Aagaard 14/03/2006, 14:09 |
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Curtis, S. (1992). The sound of the early Warner Bros. cartoons. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 191–203). New York: Routledge. |
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Last edited by: Mark Grimshaw-Aagaard 13/02/2020, 13:23 |
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Droumeva, M. (2021). The sound of the future: Listening as data and the politics of soundscape assessment. Sound Studies, 7(2), 225–241. |
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Last edited by: Mark Grimshaw-Aagaard 30/11/2023, 10:16 |
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Cunningham, S. 2016, October 4–6, The sound of the smell (and taste) of my shoes too: Mapping the senses using emotion as a medium. Paper presented at Audio Mostly 2016, Piteå, Sweden. |
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Added by: Mark Grimshaw-Aagaard 08/11/2016, 09:32 |
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Grimshaw, M., & Walther-Hansen, M. 2015, October 7–9, The sound of the smell of my shoes. Paper presented at The 10th Audio Mostly Conference, Thessaloniki. |
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Last edited by: Mark Grimshaw-Aagaard 04/11/2015, 11:46 |
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Tusing, K. J., & Dillard, J. P. (2000). The sounds of dominance: Vocal precursors of perceived dominance during interpersonal influence. Human Communication Research, 26(1), 148–171. |
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Added by: Mark Grimshaw-Aagaard 20/04/2005, 10:45 |
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