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| Hassanien, R. H. E., Hou, T.-Z., Li, Y.-F., & Li, B.-M. (2014). Advances in effects of sound waves on plants. Journal of Integrative Agriculture, 13(2), 335–348. |
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| Wilson, A. Aesthesis and perceptronium: On the entanglement of sensation, cognition, and matter. Minneapolis: University of Minnesota Press. |
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| Kirkpatrick, G. (2011). Aesthetic theory and the video game. Manchester: Manchester University Press. |
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| Moncrieff, S., Dorai, C., & Venkatesh, S. 2001, Affect computing in film through sound energy dynamics. Paper presented at The ninth ACM international conference on Multimedia. |
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| Affordance. (2004-2006). Wikipedia, Retrieved March 20, 2006, from http://en.wikipedia.org/wiki/Affordance |
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| Altman, R. (1992). Afterword: A baker's dozen terms for sound analysis. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 249–253). New York: Routledge. |
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| Herrera, G., Jordan, R., & Vera, L. (2006). Agency and presence: A common dependence on subjectivity? Presence: Teleoperators and Virtual Environments, 15(5), 539–552. |
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| Spence, C., Michel, C., & Smith, B. (2014). Airplane noise and the taste of umami. Flavour, 3(2). |
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| Scott, R. (Director) (1979). Alien [Film]. G. Carroll, D. Giler & W. Hill (Producers). USA: 20th Century Fox. |
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| Droumeva, M., & Wakkary, R. (2007). AmbientSonic map: Towards a new conceptualization of sound design for games. Loading... 1(1). |
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| Sennett, A. (2011-2021). Ambiguity. Stanford Encyclopedia of Philosophy. Retrieved October 27, 2021, from https://plato.stanford.edu/entries/ambiguity/. |
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| Grimshaw-Aagaard, M. N. (2024). Ambiguity and vagueness in video game sound. In W. Gibbons & M. Grimshaw-Aagaard (Eds), The Oxford Handbook of Video Game Music and Sound (pp. 271–286). New York: Oxford University Press. |
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| Carter, P. (2004). Ambiguous traces, mishearing, and auditory space. In V. Erlmann (Ed.), Hearing Cultures: Essays on Sound Listening and Modernity (pp. 43–63). Oxford: Berg. |
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| Droumeva, M. (2011). An acoustic communication framework for game sound: Fidelity, verisimilitude, ecology. In M. Grimshaw (Ed.), Game sound technology and player interaction: concepts and developments (pp. 131–152). Hershey (PA): IGI. |
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| Gibson, J. J. (2015). An ecological approach to visual perception. New York and London: Psychology Press. (Original work published 1979). |
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| Locke, J. (1690). An essay concerning human understanding. 2nd ed. |
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