| van Elferen, I. (2011). ¡un forastero! Issues of virtuality and diegesis in videogame music. Music and the Moving Image, 4(2), 30–39. |
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| Dean, R. T., & Bailes, F. (2007). 'Human understanding' in imagining and organising sound: Some implications of John Locke's essay for ecological, cognitive and embodied approaches to composition. Organized Sound, 12(1), 89–95. |
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| Jørgensen, K. (2007). ‘What are those grunts and growls over there?’ Computer game audio and player action. Unpublished Dissertation PhD. |
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| Wang, Q. J., Wang, S., & Spence, C. (2016). "Turn up the taste": Assessing the role of taste intensity and emotion in mediating crossmodal correspondences between basic tastes and pitch. Chemical Senses, 41, 345–356. |
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| Freud, S. (1919). The "uncanny". Imago, V, |
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| Belton, J. (1992). 1950s magnetic sound: The frozen revolution. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 154–167). New York: Routledge. |
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| Added by: Mark Grimshaw-Aagaard 10/26/04, 2:44 PM |
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| Velleman, E., van Tol, R., Huiberts, S., & Verwey, H. (2004). 3d shooting games, multimodal games, sound games and more working examples of the future of games for the blind. Lecture Notes in Computer Science, 3118, 257–263. |
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| Added by: Mark Grimshaw-Aagaard 5/23/05, 3:45 PM |
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| Zhou, Z., Cheok, A. D., & Pan, J. (2004). 3d story cube: An interactive tangible user interface for storytelling with 3d graphics and audio. Personal and Ubiquitous Computing, 8(5), 374–376. |
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| Added by: Mark Grimshaw-Aagaard 4/19/05, 1:37 PM |
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| Abraham Kuyper bibliography. (2006). Retrieved August 3, 2006, from http://www.kuyperresearch.org/wikindx3/ |
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| Fried, M. (1980). Absorption and theatricality: Painting and beholder in the age of Diderot. Berkeley: University of California Press. |
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| Last edited by: Mark Grimshaw-Aagaard 9/11/18, 5:21 PM |
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| Somers, E. 2000, April 2–5 Abstract sound objects to expand the vocabulary of sound design for visual and theatrical media. Paper presented at 6th International Conference on Auditory Display, Atlanta. |
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| Added by: Mark Grimshaw-Aagaard 9/16/05, 1:58 PM |
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| Nagel, T. The absurd. The Journal of Philosophy, 68(20), 716–727. |
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| Added by: Mark Grimshaw-Aagaard 1/13/15, 10:59 AM |
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| Williamson, B. (2003). Accessing games through sound, motion and emotion. Retrieved March 12, 2004, from http://www.gamasutra.co ... 030528/whitmore_pfv.htm |
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| Added by: Mark Grimshaw-Aagaard 9/19/04, 11:15 AM |
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| Dhomont, F. (1995). Acousmatic update. Contact! 8(2). Retrieved February 5, 2014, from http://cec.sonus.ca/contact/contact82Dhom.html |
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| Böhme, G. (2000). Acoustic atmospheres: A contribution to the study of ecological acoustics. Soundscape, 1(1), 14–18. |
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| Truax, B. (2001). Acoustic communication 2nd ed. Westport, Conn: Ablex. |
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| Droumeva, M. (2011). An acoustic communication framework for game sound: Fidelity, verisimilitude, ecology. In M. Grimshaw (Ed.), Game sound technology and player interaction: concepts and developments (pp. 131–152). Hershey (PA): IGI. |
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| Davis, E. (1997). Acoustic cyberspace. Retrieved March 15, 2011, from http://www.techgnosis.com/acoustic.html |
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| Added by: Mark Grimshaw-Aagaard 3/15/11, 11:57 AM |
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| Clarke, S. 2011, November 2–4 Acoustic design approach for hospitals. Paper presented at Acoustics. |
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| Last edited by: Mark Grimshaw-Aagaard 3/11/18, 9:41 PM |
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| Gilmour, L. R. V., Holderied, M. W., Pickering, S. P. C., & Jones, G. (2021). Acoustic deterrents influence foraging activity, flight and echolocation behaviour of free-flying bats. Journal of Experimental Biology, 224(20), 1–11. |
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| Last edited by: Mark Grimshaw-Aagaard 5/3/22, 3:26 PM |
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