Sound Research WIKINDX

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Atari. (1972). Pong. [Computer Game]. New York: Atari.   
Added by: Mark Grimshaw-Aagaard 9/1/06, 12:58 PM
Atherton, C. (1993). The Stoics on ambiguity. Cambridge University Press.   
Added by: Mark Grimshaw-Aagaard 10/26/21, 11:21 AM
Attali, J. (2009). Noise: The political economy of music. B. Massumi, Trans. Minneapolis: University of Minnesota Press. (Original work published 1984).   
Last edited by: Mark Grimshaw-Aagaard 10/17/23, 10:47 AM
Audio Mostly 2007: 2nd Conference on interaction with sound. 2007. Röntgenbau, Ilmenau: Fraunhofer Institute for Digital Media Technology. September 27–28 2007.   
Last edited by: Mark Grimshaw-Aagaard 5/6/08, 3:30 PM
Audio mostly 2008: A conference on interaction with sound. 2008. Piteå, Sweden: October 22–23 2008.   
Last edited by: Mark Grimshaw-Aagaard 10/21/21, 9:42 PM
Audiogames. (n.d.). Retrieved September 22, 2005, from http://www.audiogames.net/   
Last edited by: Mark Grimshaw-Aagaard 9/23/06, 8:25 AM
AudioMostly. 2006. Piteå, Sweden: Interactive Institute. October 11–12 2006.   
Last edited by: Mark Grimshaw-Aagaard 1/25/08, 10:06 PM
Bach, K. (1982). Semantic nonspecificity and mixed quantifiers. Linguistics and philosophy, 4(4), 593–605.   
Last edited by: Mark Grimshaw-Aagaard 11/20/21, 11:10 AM
Bach, D. R., Neuhoff, J. G., Perrig, W., & Seifritz, E. (2008). Looming sounds as warning signals: The function of motion cues. International Journal of Psychophysiology, 74(1), 28–33.   
Added by: Mark Grimshaw-Aagaard 4/27/14, 8:57 AM
Back, M., & Des, D. (1996). Micro-narratives in sound design: Context and caricature in waveform manipulation. Retrieved January 7, 2008, from http://www.icad.org/web ... ICAD96/proc96/back5.htm   
Last edited by: Mark Grimshaw-Aagaard 1/7/08, 1:54 PM
Bacon, F. (1627). The New Atlantis. 11th ed. Project Gutenberg.   
Last edited by: Mark Grimshaw-Aagaard 9/15/06, 7:01 AM
Badcock, N. A., Preece, K. A., de Wit, B., Glenn, K., Fieder, N., & Thie, J., et al. (2015). Validation of the Emotiv EPOC EEG system for research quality auditory event-related potentials in children. PeerJ, 3(e907).   
Last edited by: Mark Grimshaw-Aagaard 11/2/16, 4:31 PM
Baddeley, A., & Logie, R. (1992). Auditory imagery and working memory. In D. Reisberg (Ed.), Auditory Imagery (pp. 179–197). Mahwah (NJ): Lawrence Elrbaum Associates.   
Last edited by: Mark Grimshaw-Aagaard 12/25/14, 11:00 AM
Bailes, F. (2019). Empirical musical imagery beyond the "mind's ear". In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds), The Oxford Handbook of Sound and Imagination Vol. 2, (pp. 445–463). New York: Oxford University Press.   
Added by: Mark Grimshaw-Aagaard 5/19/21, 9:01 AM
Bakker, E. M., & Lewis, M. S. (2002). Semantic video retrieval using audio analysis. Lecture Notes in Computer Science, 2383, 271–277.   
Added by: Mark Grimshaw-Aagaard 4/20/05, 4:19 PM
Balázs, B. (1952). The theory of the film: Sound. Retrieved January 16, 2006, from http://atc.berkeley.edu ... adings/Humon_Belazs.pdf   
Last edited by: Mark Grimshaw-Aagaard 10/23/15, 3:31 PM
Ball, S. K. V. M. (2006). The uncanny in Japanese and American horror film: Hideo Nakata's Ringu and Gore Verbinski's Ring. Unpublished thesis master's, North Carolina State University, Raleigh, NC.   
Last edited by: Mark Grimshaw-Aagaard 4/22/09, 9:52 AM
Ballas, J. A. (1994). Delivery of information through sound. In G. Kramer (Ed.), Auditory Display: Sonification, Audification, and Auditory Interfaces (pp. 79–94). Reading MA: Addison-Wesley.   
Last edited by: Mark Grimshaw-Aagaard 4/28/09, 6:34 AM
Barfield, W. (2016). Musings on Presence twenty-five years after "Being There". Presence: Teleoperators and Virtual Environments, 25(2), 148–150.   
Added by: Mark Grimshaw-Aagaard 2/8/19, 11:15 AM
Barfield, W., & Danas, E. (1996). Comments on the use of olfactory displays for virtual environments. Presence: Teleoperators and Virtual Environments, 5(1), 109–121.   
Last edited by: Mark Grimshaw-Aagaard 7/27/18, 3:21 PM
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WIKINDX 6.8.2 | Total resources: 1297 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: American Psychological Association (APA)