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Barss, P. (2023). How sound is providing new clues about the universe. BBC Future, Retrieved October 12, 2023, from https://www.bbc.com/fut ... lues-about-the-universe |
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Barthes, R. (1977). The grain of the voice. In Image Music Text (pp. 179–188). London: Fontana Press. |
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Bartkowiak, A. (Director) (2005). Doom III [Film]. J. Wells (Producer). USA: Universal Pictures. |
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Başdoğan, Ç., & Loftin, R. B. (2009). Multimodal display systems: Haptic, olfactory, gustatory, and vestibular. In D. Nicholson, D. Schmorrow & J. Cohn (Eds.), The PSI handbook of virtual environments for training and education: VE components and training technologies Vol. 2, (pp. 116–134). Westport, CONN: Praeger Security International. |
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Bather, N. (2004). The darkness of Mordor: The sound of evil in The Lord of the Rings. Screen Education, 37, 167–170. |
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Battier, M. (2024). Esthétique du son artificiel: Genèse des musiques électroniques. Paris: Vrin - MusicologieS. |
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Baudrillard, J. (1994). Simulacra and simulation. S. Glaser, Trans. The University of Michigan Press. |
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