| Kramer, G., Walker, B., Bonebright, T., Cook, P., Flowers, J., & Miner, N., et al. (1997). Sonification report: Status of the field and research agenda. Retrieved September 1, 2005, from http://www.icad.org/web ... 2.0/References/nsf.html |
 
|
| Last edited by: Mark Grimshaw-Aagaard 10/05/2013, 14:38 |
|
| Kromand, D. 2008, October 22, Sound and the diegesis in survival-horror games. Paper presented at Audio Mostly 2008, Piteå, Sweden. |
|
| Added by: Mark Grimshaw-Aagaard 24/11/2008, 11:12 |
|
| LaBelle, B. (2006). Background noise: Perspectives on sound art. New York: Continuum. |
|
| Added by: Mark Grimshaw-Aagaard 09/03/2014, 12:13 |
|
| Larsson, P., Västfjäll, D., Olsson, P., & Kleiner, M. 2007, January, When what you hear is what you see: Presence and auditory-visual integration in virtual environments. Paper presented at Proceedings of the 10th annual international workshop on presence. |
|
| Last edited by: Mark Grimshaw-Aagaard 01/06/2022, 12:07 |
|
| Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press. |
|
| Added by: Mark Grimshaw-Aagaard 13/03/2006, 10:16 |
|
| Liljedahl, M. (2011). Sound for fantasy and freedom. In M. Grimshaw (Ed.), Game sound technology and player interaction: concepts and developments (pp. 22–43). Hershey (PA): IGI. |
|
| Added by: Mark Grimshaw-Aagaard 14/05/2021, 08:06 |
|
| LoBrutto, V. (1994). Sound-on-film: Interviews with creators of film sound. Westport, CT: Praeger. |
|
| Last edited by: Mark Grimshaw-Aagaard 06/09/2005, 13:25 |
|
| Lord, M. Why is that thing beeping? A sound design primer. Retrieved August 17, 2009, from http://www.boxesandarro ... g_a_sound_design_primer |
|
| Added by: Mark Grimshaw-Aagaard 17/08/2009, 09:19 |
|
| Lutz, O. H.-M., Kröger, J. L., Schneiderbauer, M., Kopankiewicz, J. M., Hauswirth, M., & Hermann, T. 2020, September 15–17, That password doesn't sound right: Interactive password strength sonification. Paper presented at The 15th International Conference on Audio Mostly, New York. |
|
| Added by: Mark Grimshaw-Aagaard 17/09/2020, 13:15 |
|
| Marks, A. (2001). The complete guide to game audio: For composers, musicians, sound designers, and game developers. Lawrence, Kansas: CMP Books. |
|
| Added by: Mark Grimshaw-Aagaard 20/10/2005, 14:02 |
|
| McCaren, T., & Goellner, V. (2019). Behind the audio of Total War: Three Kingdoms. Gamasutra, Retrieved July 7, 2021, from https://www.gamasutra.c ... _War_Three_Kingdoms.php |
|
| Added by: Mark Grimshaw-Aagaard 07/07/2021, 09:06 |
|
| Mendels, P. (2007). The audio adventurer. Unpublished thesis Master's, Eindhoven University of Technology. |
|
| Added by: Mark Grimshaw-Aagaard 15/01/2009, 11:06 |
|
| Moll, J., Huang, Y., & Sallnäs, E.-L. (2010). Audio makes a difference in haptic collaborative virtual environments. Interacting with Computers, 22(5). |
|
| Added by: Mark Grimshaw-Aagaard 29/06/2010, 02:37 |
|
| Moncrieff, S., Dorai, C., & Venkatesh, S. 2001, Affect computing in film through sound energy dynamics. Paper presented at The ninth ACM international conference on Multimedia. |
|
| Last edited by: Mark Grimshaw-Aagaard 27/04/2014, 08:45 |
|
| More, G., Harvey, L., Moloney, J., & Burry, M. Implementing nonlinear sound strategies within spatial design: Learning sound and spatial design within a collaborative virtual environment. Paper presented at 5th International Digital Arts and Culture Conference, RMIT, Melbourne. |
|
| Added by: Mark Grimshaw-Aagaard 14/09/2004, 09:57 |
|
| Murphy, D., & Pitt, I. (2001). Spatial sound enhancing virtual story telling. Lecture Notes in Computer Science, 2197, 20–29. |
|
| Added by: Mark Grimshaw-Aagaard 08/06/2012, 14:59 |
|
| Mustonen, M.-S. (2007). Introducing timbre to design of semi-abstract earcons: The role of timbre in meaning creation of non-speech interface sounds. Saarbrücken: VDM Verlag Dr. Mueller. |
|
| Last edited by: Mark Grimshaw-Aagaard 06/05/2013, 18:35 |
|
| Narayanan, S., & Potamianos, A. (2002). Creating conversational interfaces for children. Ieee Transactions on Speech and Audio Processing, 10(2), 65–78. |
|
| Added by: Mark Grimshaw-Aagaard 08/01/2007, 07:00 |
|
| Nordahl, R., Serafin, S., Böttcher, N., & Gelineck, S. 2006, October 11–12, Physically based sonic interaction synthesis for computer games. Paper presented at Audio Mostly 2006, Piteå, Sweden. |
|
| Added by: Mark Grimshaw-Aagaard 05/05/2008, 10:41 |
|
| Ntalampiras, S. (2017). A transfer learning framework for predicting the emotional content of generalized sound events. Journal of the Acoustical Society of America, 141(3). |
|
| Added by: Mark Grimshaw-Aagaard 16/03/2017, 11:59 |
|
