Sound Research WIKINDX

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Displaying 1 - 20 of 85 (Bibliography: WIKINDX Master Bibliography)
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Diegesis. (2003-2006). Wikipedia, Retrieved January 12, 2006, from http://en.wikipedia.org/wiki/Diegetic  
Last edited by: sirfragalot 5/15/06, 12:44 PM
Diegesis.(2005). In Oxford English Dictionary Online Oxford: Oxford University Press.  
Last edited by: sirfragalot 2/1/06, 4:16 PM
Michael Giacchino. (n.d.). Retrieved February 10, 2006, from http://www.michaelgiacchino.com/credits.html  
Last edited by: sirfragalot 2/10/06, 1:33 PM
Shotgun sound design deconstructed from Terminator 2. (2018). Retrieved June 21, 2020, from https://www.youtube.com/watch?v=tiq-oBeEn1M  
Added by: sirfragalot 6/21/20, 10:29 AM
Video game music archive. (n.d.). Retrieved October 26, 2010, from http://www.vgmusic.com/  
Added by: sirfragalot 10/26/10, 6:15 AM
Adorno, T. W., & Eisler, H. (1994). Composing for the films. London: Athlone Press.  
Last edited by: sirfragalot 1/6/07, 7:09 AM
Altman, R. (1992). Afterword: A baker's dozen terms for sound analysis. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 249–253). New York: Routledge.  
Added by: sirfragalot 11/4/04, 12:57 PM
Altman, R. (1992). General introduction: Cinema as event. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 1–14). New York: Routledge.  
Last edited by: sirfragalot 4/18/05, 4:26 PM
Altman, R. (1992). Introduction: Four and a half film fallacies. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 35–45). New York: Routledge.  
Added by: sirfragalot 4/23/07, 9:17 PM
Altman, R. (1992). Introduction: Sound/history. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 113–125). New York: Routledge.  
Added by: sirfragalot 10/26/04, 11:56 AM
Altman, R. (1992). Introduction: Sound's dark corners. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 171–177). New York: Routledge.  
Last edited by: sirfragalot 1/27/06, 9:51 AM
Altman, R. (1992). The material heterogeneity of recorded sound. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 15–31). New York: Routledge.  
Added by: sirfragalot 10/14/04, 12:19 PM
Altman, R. (1992). Sound space. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 46–64). New York: Routledge.  
Added by: sirfragalot 2/16/06, 8:28 AM
Altman, R. (Ed.). (1992). Sound theory sound practice. New York: Routledge.  
Added by: sirfragalot 12/14/04, 9:18 PM
Andersen, A. This is how the fantastical sound of Game Of Thrones is made. Retrieved August 13, 2014, from http://www.asoundeffect ... und-of-game-of-thrones/  
Added by: sirfragalot 8/13/14, 12:46 PM
Anderson, J. D. (1996). The reality of illusion: An ecological approach to cognitive film theory. Carbondale and Edwardsville: Southern Illinois University Press.  
Last edited by: sirfragalot 10/28/16, 6:06 PM
Balázs, B. (1952). The theory of the film: Sound. Retrieved January 16, 2006, from http://atc.berkeley.edu ... adings/Humon_Belazs.pdf  
Last edited by: sirfragalot 10/23/15, 3:31 PM
Ball, S. K. V. M. (2006). The uncanny in Japanese and American horror film: Hideo Nakata's Ringu and Gore Verbinski's Ring. Unpublished thesis master's, North Carolina State University, Raleigh, NC.  
Last edited by: sirfragalot 4/22/09, 9:52 AM
Bather, N. (2004). The darkness of Mordor: The sound of evil in The Lord of the Rings. Screen Education, 37, 167–170.  
Last edited by: sirfragalot 4/11/06, 10:47 AM
Belton, J. (1992). 1950s magnetic sound: The frozen revolution. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 154–167). New York: Routledge.  
Added by: sirfragalot 10/26/04, 2:44 PM
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WIKINDX 6.5.0 | Total resources: 1117 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: American Psychological Association (APA)