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| Klimek, M. P. (1992). Imagining the sound(s) of Shakespeare: Sound and adaptation. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 204–216). New York: Routledge. |
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| Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press. |
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| LoBrutto, V. (1994). Sound-on-film: Interviews with creators of film sound. Westport, CT: Praeger. |
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| Mala, E. 2008, November 24. The sound of horror. Newsweek. |
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| Metz, C. (1985). Aural objects. In E. Weis & J. Belton (Eds), Film Sound: Theory and Practice (pp. 154–161). New York: Columbia University Press. |
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| Moncrieff, S., Dorai, C., & Venkatesh, S. 2001, Affect computing in film through sound energy dynamics. Paper presented at The ninth ACM international conference on Multimedia. |
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| Added by: Mark Grimshaw-Aagaard 24/08/2005, 14:36 |
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