Sound Research WIKINDX

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Displaying 1 - 20 of 85 (Bibliography: WIKINDX Master Bibliography)
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Diegesis. (2003-2006). Wikipedia, Retrieved January 12, 2006, from http://en.wikipedia.org/wiki/Diegetic  
Last edited by: sirfragalot 05/15/2006 12:44:20 PM
Diegesis.(2005). In Oxford English Dictionary Online Oxford: Oxford University Press.  
Last edited by: sirfragalot 02/01/2006 04:16:33 PM
Michael Giacchino. (n.d.). Retrieved February 10, 2006, from http://www.michaelgiacchino.com/credits.html  
Last edited by: sirfragalot 02/10/2006 01:33:28 PM
Shotgun sound design deconstructed from Terminator 2. (2018). Retrieved June 21, 2020, from https://www.youtube.com/watch?v=tiq-oBeEn1M  
Added by: sirfragalot 06/21/2020 10:29:52 AM
Video game music archive. (n.d.). Retrieved October 26, 2010, from http://www.vgmusic.com/  
Added by: sirfragalot 10/26/2010 06:15:35 AM
Adorno, T. W., & Eisler, H. (1994). Composing for the films. London: Athlone Press.  
Last edited by: sirfragalot 01/06/2007 07:09:36 AM
Altman, R. (1992). Afterword: A baker's dozen terms for sound analysis. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 249–253). New York: Routledge.  
Added by: sirfragalot 11/04/2004 12:57:41 PM
Altman, R. (1992). General introduction: Cinema as event. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 1–14). New York: Routledge.  
Last edited by: sirfragalot 04/18/2005 04:26:08 PM
Altman, R. (1992). Introduction: Four and a half film fallacies. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 35–45). New York: Routledge.  
Added by: sirfragalot 04/23/2007 09:17:19 PM
Altman, R. (1992). Introduction: Sound/history. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 113–125). New York: Routledge.  
Added by: sirfragalot 10/26/2004 11:56:38 AM
Altman, R. (1992). Introduction: Sound's dark corners. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 171–177). New York: Routledge.  
Last edited by: sirfragalot 01/27/2006 09:51:32 AM
Altman, R. (1992). The material heterogeneity of recorded sound. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 15–31). New York: Routledge.  
Added by: sirfragalot 10/14/2004 12:19:52 PM
Altman, R. (1992). Sound space. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 46–64). New York: Routledge.  
Added by: sirfragalot 02/16/2006 08:28:24 AM
Altman, R. (Ed.). (1992). Sound theory sound practice. New York: Routledge.  
Added by: sirfragalot 12/14/2004 09:18:24 PM
Andersen, A. This is how the fantastical sound of Game Of Thrones is made. Retrieved August 13, 2014, from http://www.asoundeffect ... und-of-game-of-thrones/  
Added by: sirfragalot 08/13/2014 12:46:00 PM
Anderson, J. D. (1996). The reality of illusion: An ecological approach to cognitive film theory. Carbondale and Edwardsville: Southern Illinois University Press.  
Last edited by: sirfragalot 10/28/2016 06:06:43 PM
Balázs, B. (1952). The theory of the film: Sound. Retrieved January 16, 2006, from http://atc.berkeley.edu ... adings/Humon_Belazs.pdf  
Last edited by: sirfragalot 10/23/2015 03:31:49 PM
Ball, S. K. V. M. (2006). The uncanny in Japanese and American horror film: Hideo Nakata's Ringu and Gore Verbinski's Ring. Unpublished thesis master's, North Carolina State University, Raleigh, NC.  
Last edited by: sirfragalot 04/22/2009 09:52:11 AM
Bather, N. (2004). The darkness of Mordor: The sound of evil in The Lord of the Rings. Screen Education, 37, 167–170.  
Last edited by: sirfragalot 04/11/2006 10:47:24 AM
Belton, J. (1992). 1950s magnetic sound: The frozen revolution. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 154–167). New York: Routledge.  
Added by: sirfragalot 10/26/2004 02:44:51 PM
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WIKINDX 6.4.10 | Total resources: 1097 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: American Psychological Association (APA)


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