| Campbell, R. H., Grimshaw, M., & Green, G. M. (2009). Relational agents: A critical review. The Open Virtual Reality Journal, 1 Retrieved April 9, 2009, from http://www.bentham.org/open/tovrj/openaccess2.htm |
 
|
| Added by: Mark Grimshaw-Aagaard 01/02/2022, 19:51 |
|
| Friberg, J., & Gärdenfors, D. 2004, June 3–5, Audio games: New perspectives on game audio. Paper presented at Advances in Computer Entertainment Technology '04, Singapore. |
|
| Added by: Mark Grimshaw-Aagaard 04/04/2016, 13:09 |
|
| Gaver, W. W. (1993). What in the world do we hear? An ecological approach to auditory perception. Ecological Psychology, 5(1), 1–29. |
|
| Last edited by: Mark Grimshaw-Aagaard 14/10/2008, 00:12 |
|
| Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press. |
|
| Added by: Mark Grimshaw-Aagaard 13/03/2006, 10:16 |
|
| de Valck, M. (2005). Sound gag: The use of sound for comic effect in the films of Jacques Tati. New Review of Film and Television Studies, 3(2), 223–235. |
|
| Last edited by: Mark Grimshaw-Aagaard 21/10/2005, 14:46 |
|
| Warren, D. H., Welch, R. B., & McCarthy, T. J. (1981). The role of visual-auditory "compellingness" in the ventriloquism effect: Implications for transitivity among the spatial senses. Perception & Psychophysics, 30(6), 557–564. |
|
| Last edited by: Mark Grimshaw-Aagaard 26/08/2015, 08:42 |
|
| Whalen, Z. (2004). Play along -- an approach to videogame music. Game Studies, 4(1). Retrieved February 20, 2005, from http://www.gamestudies.org/0401/whalen/ |
|
| Added by: Mark Grimshaw-Aagaard 06/12/2015, 19:50 |
|
