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| Carr, D. (2006). Space, navigation and affect. In Computer Games: Text, Narrative and Play (pp. 59–71). Cambridge: Polity. |
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| Carter, P. (2004). Ambiguous traces, mishearing, and auditory space. In V. Erlmann (Ed), Hearing Cultures: Essays on Sound Listening and Modernity (pp. 43–63). Oxford: Berg. |
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| Davis, E. (1997). Acoustic cyberspace. Retrieved March 15, 2011, from http://www.techgnosis.com/acoustic.html |
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| Foucault, M. (1984). Of other spaces, heterotopias. Architecture, Mouvement, Continuité, 5, 46–49. |
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| Grimshaw, M. (2016). The privatization of sound space. In V. Meelberg, M. Cobussen & B. Truax (Eds.), The Routledge Companion to Sounding Art (pp. 463–472). London: Routledge. |
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| Grönlund, B. 1997, March 21, Urbanity: Lived space and difference. Paper presented at Urbanity & Aesthetics, Copenhagen University. |
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| Hultman, J., Corvellec, H., Jerneck, A., Arvidsson, S., Ekroos, J., & Gustafsson, C., et al. (2021). A resourcification manifesto: Understanding the social process of resources becoming resources. Research Policy, 50(9), 1–7. |
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| Johannesen, H.-L. Performative space: Architecture beyond media? Retrieved March 21, 2006, from http://www.diffus.dk/di ... designskolen/paper1.pdf |
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| Keller, D., Capasso, A., & Wilson, S. R. (2002). Urban corridor: Accumulation and interaction as form- bearing processes. Retrieved March 21, 2006, from http://ccrma.stanford.e ... erCapassoWilson2002.pdf |
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| Knakkergaard, M. (2014). The music that’s not there. In M. Grimshaw (Ed), The Oxford Handbook of Virtuality (pp. 392–404). New York: Oxford University Press. |
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| Kobayashi, M., Ueno, K., & Ise, S. (2015). The effects of spatialized sounds on the sense of presence in auditory virtual environments: A psychological and physiological study. Presence Connect, 24(2), 163–174. |
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| Lefebvre, H. (1991). The production of space. D. Nicholson-Smith, Trans. Oxford: Blackwell. |
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