Sound Research WIKINDX

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Displaying 1 - 10 of 10 (Bibliography: WIKINDX Master Bibliography)
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Altman, R. (1992). Afterword: A baker's dozen terms for sound analysis. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 249–253). New York: Routledge.  
Added by: sirfragalot 11/4/04, 12:57 PM
Altman, R. (1992). Introduction: Sound/history. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 113–125). New York: Routledge.  
Added by: sirfragalot 10/26/04, 11:56 AM
Altman, R. (1992). Sound space. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 46–64). New York: Routledge.  
Added by: sirfragalot 2/16/06, 8:28 AM
Belton, J. (1992). 1950s magnetic sound: The frozen revolution. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 154–167). New York: Routledge.  
Added by: sirfragalot 10/26/04, 2:44 PM
Chanan, M. (1995). Repeated takes: A short history of recording and its effect on music. London: Verso.  
Added by: sirfragalot 9/7/04, 12:06 PM
Chion, M. (1994). Audio-vision: Sound on screen C. Gorbman, Trans. New York: Columbia University Press.  
Added by: sirfragalot 6/7/21, 8:48 AM
Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press.  
Added by: sirfragalot 3/13/06, 10:16 AM
Rumsey, F., & McCormick, T. (1998). Sound and recording: An introduction 3rd ed. Oxford: Focal Press.  
Last edited by: sirfragalot 11/28/04, 2:20 PM
Théberge, P. (1997). Any sound you can imagine: Making music/consuming technology. Hanover, NH: Wesleyan University Press.  
Added by: sirfragalot 9/19/04, 11:01 AM
Théberge, P. (1989). The 'sound' of music: Technological rationalization and the production of popular music. New Formations, 8, 99–111.  
Added by: sirfragalot 3/14/06, 2:09 PM
WIKINDX 6.5.0 | Total resources: 1103 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: American Psychological Association (APA)


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