| Altman, R. (1992). Afterword: A baker's dozen terms for sound analysis. In R. Altman (Ed), Sound Theory Sound Practice (pp. 249–253). New York: Routledge. |
 
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| Added by: Mark Grimshaw-Aagaard 11/4/04, 12:57 PM |
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| Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press. |
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| Added by: Mark Grimshaw-Aagaard 3/13/06, 10:16 AM |
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| Rumsey, F., & McCormick, T. (1998). Sound and recording: An introduction. 3rd ed. Oxford: Focal Press. (Original work published 1997). |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 11/28/04, 2:20 PM |
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| Théberge, P. (1989). The 'sound' of music: Technological rationalization and the production of popular music. New Formations, 8, 99–111. |
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| Added by: Mark Grimshaw-Aagaard 3/14/06, 2:09 PM |
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