| Altman, R. (1992). Introduction: Sound/history. In R. Altman (Ed), Sound Theory Sound Practice (pp. 113–125). New York: Routledge. |
 
|
| Added by: Mark Grimshaw-Aagaard 10/26/04, 11:56 AM |
|
| Altman, R. (1992). Sound space. In R. Altman (Ed), Sound Theory Sound Practice (pp. 46–64). New York: Routledge. |
|
| Added by: Mark Grimshaw-Aagaard 2/16/06, 8:28 AM |
|
| Atari. (1972). Pong. [Computer Game]. New York: Atari. |
|
| Added by: Mark Grimshaw-Aagaard 9/1/06, 12:58 PM |
|
| Belton, J. (1992). 1950s magnetic sound: The frozen revolution. In R. Altman (Ed), Sound Theory Sound Practice (pp. 154–167). New York: Routledge. |
|
| Added by: Mark Grimshaw-Aagaard 10/26/04, 2:44 PM |
|
| Chen, C.-Y. (1996). Early Chinese work in natural science: A re-examination of the physics of motion, acoustics, astronomy and scientific thoughts. Hong Kong: Hong Kong University Press. |
|
| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 2/3/16, 4:34 PM |
|
| Ďurovičová, N. (1992). Translating America: The Hollywood multilinguals 1929-1933. In R. Altman (Ed), Sound Theory Sound Practice (pp. 138–153). New York: Routledge. |
|
| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 10/16/06, 12:00 PM |
|
| Kent, S. L. (2001). The ultimate history of video games: From pong to pokémon -- the story behind the craze that touched our lives and changed the world. Prima Publishing. |
|
| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 11/28/04, 2:21 PM |
|
| Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press. |
|
| Added by: Mark Grimshaw-Aagaard 3/13/06, 10:16 AM |
|
| Playstation sound clips: Audio bites and quotes on entertonement. (2009). Retrieved March 20, 2009, from http://www.entertonemen ... ctions/9509/Playstation |
|
| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 3/20/09, 5:25 AM |
|
| Poole, S. (2000). Trigger happy: Videogames and the entertainment revolution. New York: Arcade. |
|
| Added by: Mark Grimshaw-Aagaard 7/3/21, 9:23 AM |
|
| Snow, B. (2009). Realistic game audio has us pining for beeps of yesteryear. ars technica, Retrieved March 20, 2009, from http://arstechnica.com/ ... c-punch-to-the-face.ars |
|
| Added by: Mark Grimshaw-Aagaard 3/20/09, 5:39 AM |
|
| Super Nintendo sound clips: Audio bites and quotes on entertonement. (2009). Retrieved March 20, 2009, from http://www.entertonemen ... ons/1871/Super-Nintendo |
|
| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 3/20/09, 5:25 AM |
|
| Williams, A. (1992). Historical and theoretical issues in the coming of recorded sound to the cinema. In R. Altman (Ed), Sound Theory Sound Practice (pp. 126–137). New York: Routledge. |
|
| Added by: Mark Grimshaw-Aagaard 10/26/04, 12:45 PM |
|
