| Altman, R. (1992). Introduction: Sound/history. In R. Altman (Ed), Sound Theory Sound Practice (pp. 113–125). New York: Routledge. |
 
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| Added by: Mark Grimshaw-Aagaard 10/26/04, 11:56 AM |
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| Altman, R. (1992). Sound space. In R. Altman (Ed), Sound Theory Sound Practice (pp. 46–64). New York: Routledge. |
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| Added by: Mark Grimshaw-Aagaard 2/16/06, 8:28 AM |
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| Belton, J. (1992). 1950s magnetic sound: The frozen revolution. In R. Altman (Ed), Sound Theory Sound Practice (pp. 154–167). New York: Routledge. |
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| Added by: Mark Grimshaw-Aagaard 10/26/04, 2:44 PM |
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| Ďurovičová, N. (1992). Translating America: The Hollywood multilinguals 1929-1933. In R. Altman (Ed), Sound Theory Sound Practice (pp. 138–153). New York: Routledge. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 10/16/06, 12:00 PM |
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| Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press. |
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| Added by: Mark Grimshaw-Aagaard 3/13/06, 10:16 AM |
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| Williams, A. (1992). Historical and theoretical issues in the coming of recorded sound to the cinema. In R. Altman (Ed), Sound Theory Sound Practice (pp. 126–137). New York: Routledge. |
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| Added by: Mark Grimshaw-Aagaard 10/26/04, 12:45 PM |
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