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| Bryce, J., & Rutter, J. (2002). Spectacle of the deathmatch: Character and narrative in first-person shooters. In G. King & T. Krzywinska (Eds.), Screenplay: Cinema/Videogames/Interfaces (pp. 66–80). London: Wallflower Press. |
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| Crogan, P. The experience of information in computer games. Paper presented at 5th International Digital Arts and Culture Conference, RMIT, Melbourne. |
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| Digital Illusions. (2002). Battlefield 1942. [Computer Game]. Electronic Arts. |
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| Eidos Interactive. (1998). Thief: The dark project. [Computer Game]. Activision. |
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| First-person shooter. (2002-2006). Wikipedia, Retrieved April 12, 2006, from http://en.wikipedia.org/wiki/First-person_shooter |
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| Gamer's Edge. (1992). The catacomb abyss. [Computer Game]. Shreveport LA: Softdisk Publishing. |
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| Gray Matter Studios, & id Software. (2001). Return to Castle Wolfenstein. [Computer Game]. Activision. |
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| Grimshaw, M. (2001). Grim Shores 2: Devil's Island. [Computer Game]. |
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| Grimshaw, M. (2001). Grim Shores 3: Atlantis. [Computer Game]. |
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| Grimshaw, M. (2007). The acoustic ecology of the first-person shooter. Unpublished thesis PhD, University of Waikato, New Zealand. |
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| Grimshaw, M., Lindley, C. A., & Nacke, L. 2008, October 22–23, Sound and immersion in the first-person shooter: Mixed measurement of the player's sonic experience. Paper presented at Audio Mostly 2008, Piteå, Sweden. |
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| Güttler, C., & Johansson, T. D. Spatial principles of level-design in multi-player first-person shooters. Paper presented at Proceedings of the 2nd workshop on Network and system support for games, Redwood City, California. |
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| id Software. (1993). Doom. [Computer Game]. Activision. |
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| id Software. (2004). Doom 3. [Computer Game]. Activision. |
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| Ion Storm. (2000). Deus ex. [Computer Game]. Eidos Interactive. |
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| Added by: Mark Grimshaw-Aagaard 4/12/06, 3:28 PM |
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