Sound Research WIKINDX

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Displaying 1 - 4  of 4 (Bibliography: WIKINDX Master Bibliography)
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Grimshaw-Aagaard, M. (2024). OH-EE-OH-EE-OH-EE-AW-EE-AW! Sound descriptors in the books of Tarzan as facilitators of presence. In J. Murphet & H. Groth (Eds), Edinburgh Companion to Literature & Sound Studies. (pp. 250–263). Edinburgh: Edinburgh University Press.   
Last edited by: Mark Grimshaw-Aagaard 07/12/2023, 15:14
Kücklich, J. (2003). Perspectives of computer game philology. Game Studies, 3(1). Retrieved September 16, 2003, from http://www.gamestudies.org/0301/kucklich/   
Last edited by: Mark Grimshaw-Aagaard 04/09/2006, 15:02
Reid, C. (2017). “This savage world was an open book” Genre and landscape in Edgar Rice Burroughs’s Tarzan series. Journal of Popular Culture, 50(1), 147–162.   
Last edited by: Mark Grimshaw-Aagaard 30/08/2022, 12:14
Vázquez Enríquez, E. C. (2021). The Sounds of the Desert: Lost Children Archive by Valeria Luiselli. Latin American Literary Review, 48(95), 75–84.   
Added by: Mark Grimshaw-Aagaard 13/04/2021, 12:32
WIKINDX 6.8.2 | Total resources: 1301 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: American Psychological Association (APA)