| Altman, R. (Ed.). (1992). Sound theory sound practice. New York: Routledge. |
 
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| Added by: Mark Grimshaw-Aagaard 14/12/2004, 21:18 |
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| Altman, R. (1992). General introduction: Cinema as event. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 1–14). New York: Routledge. |
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| Last edited by: Mark Grimshaw-Aagaard 18/04/2005, 16:26 |
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| Altman, R. (1992). Introduction: Sound/history. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 113–125). New York: Routledge. |
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| Added by: Mark Grimshaw-Aagaard 26/10/2004, 11:56 |
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| Anderson, J. D. (1996). The reality of illusion: An ecological approach to cognitive film theory. Carbondale and Edwardsville: Southern Illinois University Press. |
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| Last edited by: Mark Grimshaw-Aagaard 28/10/2016, 18:06 |
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| Bather, N. (2004). The darkness of Mordor: The sound of evil in The Lord of the Rings. Screen Education, 37, 167–170. |
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| Last edited by: Mark Grimshaw-Aagaard 11/04/2006, 10:47 |
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| Grieb, M. (2002). Run lara run. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 157–170). London: Wallflower Press. |
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| Added by: Mark Grimshaw-Aagaard 04/10/2004, 17:01 |
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| Hayward, P. (Ed.). (2004). Off the planet: Music, sound and science fiction cinema. London: John Libbey. |
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| Added by: Mark Grimshaw-Aagaard 28/11/2005, 15:23 |
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| King, G., & Krzywinska, T. (2002). Cinema/videogames/interfaces. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 1–32). London: Wallflower Press. |
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| Added by: Mark Grimshaw-Aagaard 11/04/2006, 13:42 |
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| Klimek, M. P. (1992). Imagining the sound(s) of Shakespeare: Sound and adaptation. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 204–216). New York: Routledge. |
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| Added by: Mark Grimshaw-Aagaard 01/11/2004, 11:44 |
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| Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press. |
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| Added by: Mark Grimshaw-Aagaard 13/03/2006, 10:16 |
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| Marsh, T. (2003). Presence as experience: Film informing ways of staying there. Presence: Teleoperators and Virtual Environments, 12(5), 538–549. |
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| Added by: Mark Grimshaw-Aagaard 01/03/2018, 13:55 |
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| Ruoff, J. K. (1992). Conventions of sound in documentary. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 217–234). New York: Routledge. |
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| Added by: Mark Grimshaw-Aagaard 01/11/2004, 12:11 |
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