| Altman, R. (Ed.). (1992). Sound theory sound practice. New York: Routledge. |
 
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| Added by: Mark Grimshaw-Aagaard 12/14/04, 9:18 PM |
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| Altman, R. (1992). General introduction: Cinema as event. In R. Altman (Ed), Sound Theory Sound Practice (pp. 1–14). New York: Routledge. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 4/18/05, 4:26 PM |
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| Altman, R. (1992). Introduction: Sound/history. In R. Altman (Ed), Sound Theory Sound Practice (pp. 113–125). New York: Routledge. |
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| Added by: Mark Grimshaw-Aagaard 10/26/04, 11:56 AM |
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| Anderson, J. D. (1996). The reality of illusion: An ecological approach to cognitive film theory. Carbondale and Edwardsville: Southern Illinois University Press. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 10/28/16, 6:06 PM |
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| Bather, N. (2004). The darkness of Mordor: The sound of evil in The Lord of the Rings. Screen Education, 37, 167–170. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 4/11/06, 10:47 AM |
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| Hayward, P. (Ed.). (2004). Off the planet: Music, sound and science fiction cinema. London: John Libbey. |
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| Added by: Mark Grimshaw-Aagaard 11/28/05, 3:23 PM |
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| Klimek, M. P. (1992). Imagining the sound(s) of Shakespeare: Sound and adaptation. In R. Altman (Ed), Sound Theory Sound Practice (pp. 204–216). New York: Routledge. |
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| Added by: Mark Grimshaw-Aagaard 11/1/04, 11:44 AM |
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| Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press. |
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| Added by: Mark Grimshaw-Aagaard 3/13/06, 10:16 AM |
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| Ruoff, J. K. (1992). Conventions of sound in documentary. In R. Altman (Ed), Sound Theory Sound Practice (pp. 217–234). New York: Routledge. |
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| Added by: Mark Grimshaw-Aagaard 11/1/04, 12:11 PM |
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