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Keyword:  Ambiguity
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The sound ambiguity.April 24–25 2014.  
Last edited by: Mark Grimshaw-Aagaard 11/24/14, 2:35 PM
Atherton, C. (1993). The Stoics on ambiguity. Cambridge University Press.  
Added by: Mark Grimshaw-Aagaard 10/26/21, 11:21 AM
Bach, K. (1982). Semantic nonspecificity and mixed quantifiers. Linguistics and philosophy, 4(4), 593–605.  
Last edited by: Mark Grimshaw-Aagaard 11/20/21, 11:10 AM
Brennan, A. (2003). Necessary and sufficient conditions. Stanford Encyclopedia of Philosophy. Retrieved October 3, 2017, https://plato.stanford. ... s/necessary-sufficient/.  
Added by: Mark Grimshaw-Aagaard 10/8/17, 11:35 AM
Bridgett, R. (1999). Aural imagery: Sonic ambiguity in time based media. Retrieved November 25, 2021, from http://web.archive.org/ ... design.org.uk/aural.htm  
Last edited by: Mark Grimshaw-Aagaard 10/25/21, 1:31 PM
Bromberger, S. (2012). Vagueness, ambiguity, and the "sound" of meaning. In Analysis and Interpretation of the Exact Sciences: Essays in Honour of William Demopoulos Vol. 78, (pp. 75–93). Berlin: Springer.  
Added by: Mark Grimshaw-Aagaard 11/24/14, 2:47 PM
Clark, A. (2013). Expecting the world: Perception, prediction, and the origins of human knowledge. Journal of Philosophy, CX(9), 469–496.  
Last edited by: Mark Grimshaw-Aagaard 7/26/18, 10:36 AM
Cross, I. (2005). Music and meaning, ambiguity and emotion. In D. Miell, R. MacDonald & D. J. Hargreaves (Eds), Musical Communication New York: Oxford University Press.  
Added by: Mark Grimshaw-Aagaard 11/29/21, 4:08 PM
Grimshaw, M. (2015). A brief argument for, and summary of, the concept of sonic virtuality. Danish Musicology Online - Special Issue on Sound and Music Production, 81–98.  
Last edited by: Mark Grimshaw-Aagaard 7/14/21, 6:41 AM
Grimshaw-Aagaard, M. (2019). The necessity of vagueness and ambiguity to the imagining of sound. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds), The Oxford Handbook of Sound and Imagination Vol. 1, (pp. 105–113). New York: Oxford University Press.  
Last edited by: Mark Grimshaw-Aagaard 5/19/21, 8:41 AM
Hammershøi, D. September 2, 2015. The ANSI definition of sound. [Email]  
Last edited by: Mark Grimshaw-Aagaard 12/7/15, 8:11 AM
Klausen, H. B. (2021). The ambiguity of technology in ASMR experiences: Four types of intimacies and struggles in the user comments on YouTube. Nordicom Review, 42(s4), 124–136.  
Last edited by: Mark Grimshaw-Aagaard 11/16/21, 9:05 AM
Knakkergaard, M. (2016). Unsound sound: On the ontology of sound in the digital age. Leonardo Music Journal, 26, 64–67.  
Last edited by: Mark Grimshaw-Aagaard 11/1/17, 7:44 AM
Liu, C. 2011, The linguistic analysis of sound ambiguity and meaning ambiguity. Paper presented at The Third International Workshop on Education Technology and Computer Science, Washington, USA.  
Last edited by: Mark Grimshaw-Aagaard 11/24/14, 3:03 PM
Mantovani, G., & Riva, G. (1999). "Real" presence: How different ontologies generate different criteria for presence, telepresence, and virtual presence. Presence: Teleoperators and Virtual Environments, 8(5), 540–550.  
Last edited by: Mark Grimshaw-Aagaard 2/27/22, 7:21 PM
Reeves, C. (2005). "i knew there was something wrong with that paper": Scientific rhetorical styles and scientific misunderstandings. Technical Communications Quarterly, 14(3), 267–275.  
Added by: Mark Grimshaw-Aagaard 1/15/22, 9:35 AM
Sachs, A. (Director) 1978, June The revenge. United Kingdom: BBC Radio 3.  
Last edited by: Mark Grimshaw-Aagaard 11/29/21, 11:30 AM
Sennett, A. (2011). Ambiguity. Stanford Encyclopedia of Philosophy. Retrieved October 27, 2021, https://plato.stanford.edu/entries/ambiguity/.  
Last edited by: Mark Grimshaw-Aagaard 11/18/21, 12:09 PM
Shakespeare, W. 1610-1611. The tempest. [Drama].  
Last edited by: Mark Grimshaw-Aagaard 1/18/16, 4:52 PM
Sorensen, R. (1997). Vagueness. Stanford Encyclopedia of Philosophy. Retrieved October 27, 2021, https://plato.stanford.edu/entries/vagueness/.  
Last edited by: Mark Grimshaw-Aagaard 11/18/21, 11:56 AM
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