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Displaying 1 - 12 of 12 (Bibliography: WIKINDX Master Bibliography)
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Keyword:  aesthetics
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Altman, R. (Ed.). (1992). Sound theory sound practice. New York: Routledge.  
Added by: Mark Grimshaw-Aagaard 12/14/04, 9:18 PM
Bryce, J., & Rutter, J. (2002). Spectacle of the deathmatch: Character and narrative in first-person shooters. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 66–80). London: Wallflower Press.  
Added by: Mark Grimshaw-Aagaard 9/23/04, 2:59 PM
Carlsson, A. (2010). Power users and retro puppets: A critical study of the methods and motivations in chipmusic. Unpublished thesis master's, Lund University.  
Added by: Deleted user 2/13/12, 4:29 PM
Darley, A. (2000). Visual digital culture: Surface play and spectacle in new media genres. London: Routledge.  
Last edited by: Mark Grimshaw-Aagaard 11/5/06, 11:59 AM
Grieb, M. (2002). Run lara run. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 157–170). London: Wallflower Press.  
Added by: Mark Grimshaw-Aagaard 10/4/04, 5:01 PM
Kirkpatrick, G. (2011). Aesthetic theory and the video game. Manchester: Manchester University Press.  
Last edited by: Mark Grimshaw-Aagaard 10/26/15, 11:58 AM
Klimek, M. P. (1992). Imagining the sound(s) of Shakespeare: Sound and adaptation. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 204–216). New York: Routledge.  
Added by: Mark Grimshaw-Aagaard 11/1/04, 11:44 AM
Knakkergaard, M. (2014). The music that’s not there. In M. Grimshaw (Ed.), The Oxford Handbook of Virtuality (pp. 392–404). New York: Oxford University Press.  
Added by: Mark Grimshaw-Aagaard 1/18/14, 1:09 PM
Paul, L. J. 2003, March 6–8 Game audio: Coding vs. aesthetics. Unpublished paper presented at Game Developers' Conference.  
Last edited by: Mark Grimshaw-Aagaard 6/19/08, 9:05 AM
Sloboda, J. A., & Juslin, P. N. (2002). Psychological perspectives on music and emotion. In P. N. Juslin & J. A. Sloboda (Eds), Music and Emotion: Theory and Research (pp. 71–104). Oxford: Oxford University Press.  
Added by: Mark Grimshaw-Aagaard 11/1/10, 3:55 AM
Truppin, A. (1992). And then there was sound: The films of Andrei Tarkovsky. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 235–248). New York: Routledge.  
Last edited by: Mark Grimshaw-Aagaard 1/11/06, 2:08 AM
Wilson, A. Aesthesis and perceptronium: On the entanglement of sensation, cognition, and matter. Minneapolis: University of Minnesota Press.  
Added by: Mark Grimshaw-Aagaard 11/18/21, 12:12 PM
WIKINDX 6.5.0 | Total resources: 1140 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: American Psychological Association (APA)