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Displaying 1 - 8  of 8 (Bibliography: WIKINDX Master Bibliography)
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Carlsson, A. (2010). Power users and retro puppets: A critical study of the methods and motivations in chipmusic. Unpublished thesis master's, Lund University.   
Added by: Deleted user 2/13/12, 4:29 PM
Darley, A. (2000). Visual digital culture: Surface play and spectacle in new media genres. London: Routledge.   
Added by: Mark Grimshaw-Aagaard   Last edited by: Mark Grimshaw-Aagaard 11/5/06, 11:59 AM
Grieb, M. (2002). Run lara run. In G. King & T. Krzywinska (Eds.), Screenplay: Cinema/Videogames/Interfaces (pp. 157–170). London: Wallflower Press.   
Added by: Mark Grimshaw-Aagaard 10/4/04, 5:01 PM
Kirkpatrick, G. (2011). Aesthetic theory and the video game. Manchester: Manchester University Press.   
Added by: Mark Grimshaw-Aagaard   Last edited by: Mark Grimshaw-Aagaard 10/26/15, 11:58 AM
Knakkergaard, M. (2014). The music that’s not there. In M. Grimshaw (Ed), The Oxford Handbook of Virtuality (pp. 392–404). New York: Oxford University Press.   
Added by: Mark Grimshaw-Aagaard 1/18/14, 1:09 PM
Seiça, M., Roque, L., Martins, P., & Cardoso, F. A. (2023). An interdisciplinary journey towards an aesthetics of sonification experience. Journal of Multimodal User Interfaces, 17, 263–284.   
Added by: Mark Grimshaw-Aagaard 11/27/23, 10:37 AM
Sloboda, J. A., & Juslin, P. N. (2002). Psychological perspectives on music and emotion. In P. N. Juslin & J. A. Sloboda (Eds.), Music and Emotion: Theory and Research (pp. 71–104). Oxford: Oxford University Press. (Original work published 2001).   
Added by: Mark Grimshaw-Aagaard 11/1/10, 3:55 AM
Wilson, A. Aesthesis and perceptronium: On the entanglement of sensation, cognition, and matter. Minneapolis: University of Minnesota Press.   
Added by: Mark Grimshaw-Aagaard 11/18/21, 12:12 PM
WIKINDX 6.11.0 | Total resources: 1332 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: American Psychological Association (APA)