| Altman, R. (1992). Introduction: Four and a half film fallacies. In R. Altman (Ed), Sound Theory Sound Practice (pp. 35–45). New York: Routledge. |
 
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| Added by: Mark Grimshaw-Aagaard 4/23/07, 9:17 PM |
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| Dion, L. P. (2017). Game design deep dive: Dynamic audio in destructible levels in Rainbow Six: Siege. Gamasutra, Retrieved July 7, 2021, from https://www.gamasutra.c ... n_Rainbow_Six_Siege.php |
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| Added by: Mark Grimshaw-Aagaard 7/7/21, 9:12 AM |
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| Droumeva, M. (2011). An acoustic communication framework for game sound: Fidelity, verisimilitude, ecology. In M. Grimshaw (Ed), Game sound technology and player interaction: concepts and developments (pp. 131–152). Hershey (PA): IGI. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 5/30/21, 7:59 AM |
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| McCaren, T., & Goellner, V. (2019). Behind the audio of Total War: Three Kingdoms. Gamasutra, Retrieved July 7, 2021, from https://www.gamasutra.c ... _War_Three_Kingdoms.php |
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| Added by: Mark Grimshaw-Aagaard 7/7/21, 9:06 AM |
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