| Ball, S. K. V. M. (2006). The uncanny in Japanese and American horror film: Hideo Nakata's Ringu and Gore Verbinski's Ring. Unpublished thesis master's, North Carolina State University, Raleigh, NC. |
 
|
| Last edited by: Mark Grimshaw-Aagaard 22/04/2009, 09:52 |
|
| The sound of horror. 2003, August 29. B. Carpenter (Producer). Boston: WZBC 90.3 FM Boston College. |
|
| Last edited by: Mark Grimshaw-Aagaard 20/11/2008, 08:48 |
|
| Ekman, I., & Kajastila, R. 2009, February 11–13, Localisation cues affect emotional judgements: Results from a user study on scary sound. Unpublished paper presented at AES 35th International Conference, London. |
|
| Added by: Mark Grimshaw-Aagaard 02/02/2009, 10:39 |
|
| Grimshaw, M. 2009, September 2–3, The audio uncanny valley: Sound, fear and the horror game. Paper presented at Audio Mostly 2009, Glasgow, UK. |
|
| Last edited by: Mark Grimshaw-Aagaard 31/10/2017, 06:43 |
|
| Halpern, D. Lynn., Blake, R., & Hillenbrand, J. (1986). Psychoacoustics of a chilling sound. Percept Psychophys, 39(2), 77–80. |
|
| Last edited by: Mark Grimshaw-Aagaard 06/09/2022, 12:23 |
|
| Heimerdinger, J. 2011, Music and sound in the horror film & why some modern and avant-garde music lends itself to it so well. Unpublished paper presented at Filmmusiktage. |
|
| Added by: Mark Grimshaw-Aagaard 01/08/2015, 19:39 |
|
| Hoeger, L., & Huber, W. 2007, September 24–28, Ghostly manipulation: Fatal Frame II and the videogame uncanny. Paper presented at Situated Play, University of Tokyo. |
|
| Added by: Mark Grimshaw-Aagaard 08/05/2009, 04:27 |
|
| Kelleghan, F. (1996). Sound effects in science fiction and horror films. Retrieved November 20, 2008, from http://filmsound.org/ar ... orsound/horrorsound.htm |
|
| Added by: Mark Grimshaw-Aagaard 22/04/2009, 10:11 |
|
| Kromand, D. 2008, October 22, Sound and the diegesis in survival-horror games. Paper presented at Audio Mostly 2008, Piteå, Sweden. |
|
| Added by: Mark Grimshaw-Aagaard 24/11/2008, 11:12 |
|
| Krzywinska, T. (2002). Hands-on horror. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 206–223). London: Wallflower Press. |
|
| Added by: Mark Grimshaw-Aagaard 05/10/2004, 12:09 |
|
| Mala, E. 2008, November 24. The sound of horror. Newsweek. |
|
| Added by: Mark Grimshaw-Aagaard 20/11/2008, 10:46 |
|
| Moncrieff, S., Venkatesh, S., & Dorai, C. 2003, July 6–9, Horror film genre typing and scene labelling via audio analysis. Paper presented at International Conference on Multimedia and Expo. |
|
| Added by: Mark Grimshaw-Aagaard 15/12/2008, 03:11 |
|
| Naito, T. 2005. Interview with Hideo Nakata, specter director. Kateigaho, Winter. |
|
| Added by: Mark Grimshaw-Aagaard 20/11/2008, 10:45 |
|
| Spadoni, R. (2007). The sound and the horror. University of Chicago Magazine, 100(1). Retrieved November 20, 2008, from http://magazine.uchicag ... 0/features/horror.shtml |
|
| Added by: Mark Grimshaw-Aagaard 20/11/2008, 08:38 |
|
| Spadoni, R. (2007). Uncanny bodies: The coming of sound film and the origins of the horror genre. Berkeley: University of California Press. |
|
| Added by: Mark Grimshaw-Aagaard 05/01/2009, 11:05 |
|
| Whittington, W. (2007). Sound, silence and horror. Offscreen, 11(8-9). Retrieved November 20, 2008, from http://www.offscreen.co ... /whittington_forum1.pdf |
|
| Last edited by: Mark Grimshaw-Aagaard 20/11/2008, 09:57 |
|
