Altman, R. (Ed.). (1992). Sound theory sound practice. New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 14/12/2004, 21:18 |
|
Altman, R. (1992). Introduction: Sound/history. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 113–125). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 26/10/2004, 11:56 |
|
Altman, R. (1992). Sound space. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 46–64). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 16/02/2006, 08:28 |
|
Belton, J. (1992). 1950s magnetic sound: The frozen revolution. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 154–167). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 26/10/2004, 14:44 |
|
Curtis, S. (1992). The sound of the early Warner Bros. cartoons. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 191–203). New York: Routledge. |
|
Last edited by: Mark Grimshaw-Aagaard 13/02/2020, 13:23 |
|
Ďurovičová, N. (1992). Translating America: The Hollywood multilinguals 1929-1933. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 138–153). New York: Routledge. |
|
Last edited by: Mark Grimshaw-Aagaard 16/10/2006, 12:00 |
|
Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press. |
|
Added by: Mark Grimshaw-Aagaard 13/03/2006, 10:16 |
|
Thompson, K., & Bordwell, D. (2003). Film history: An introduction. 2nd ed. New York: McGraw-Hill. |
|
Added by: Mark Grimshaw-Aagaard 16/02/2006, 09:46 |
|
Williams, A. (1992). Historical and theoretical issues in the coming of recorded sound to the cinema. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 126–137). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 26/10/2004, 12:45 |
|