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Displaying 21 - 40  of 48 (Bibliography: WIKINDX Master Bibliography)
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Cavalcanti, A. (1939). Sound in films. Retrieved January 16, 2006, from https://web.archive.org ... /575/sound-in-films.htm   
Last edited by: Mark Grimshaw-Aagaard 10/09/2021, 10:23
Chion, M. (1992). Wasted words. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 104–110). New York: Routledge.   
Added by: Mark Grimshaw-Aagaard 26/10/2004, 10:29
Chion, M. (1994). Audio-vision: Sound on screen. C. Gorbman, Trans. New York: Columbia University Press.   
Added by: Mark Grimshaw-Aagaard 07/06/2021, 08:48
Clair, R. (1929). The art of sound. Retrieved September 10, 2021, from https://web.archive.org ... ne/575/art-of-sound.htm   
Last edited by: Mark Grimshaw-Aagaard 10/09/2021, 10:17
Curtis, S. (1992). The sound of the early Warner Bros. cartoons. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 191–203). New York: Routledge.   
Last edited by: Mark Grimshaw-Aagaard 13/02/2020, 13:23
Diegesis. (2003-2006). Wikipedia, Retrieved January 12, 2006, from http://en.wikipedia.org/wiki/Diegetic   
Last edited by: Mark Grimshaw-Aagaard 15/05/2006, 12:44
Diegesis (2005). In Oxford English Dictionary Online Oxford: Oxford University Press.   
Last edited by: Mark Grimshaw-Aagaard 01/02/2006, 16:16
Doane, M. A. (1980). Ideology and the practice of sound editing and mixing. In T. de Lauretis & S. Heath (Eds), The Cinematic Apparatus (pp. 47–56). London: Macmillan.   
Last edited by: Mark Grimshaw-Aagaard 06/06/2023, 14:41
Ďurovičová, N. (1992). Translating America: The Hollywood multilinguals 1929-1933. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 138–153). New York: Routledge.   
Last edited by: Mark Grimshaw-Aagaard 16/10/2006, 12:00
Gomery, D. (1980). Towards an economic history of cinema: The coming of sound to Hollywood. In T. de Lauretis & S. Heath (Eds), The Cinema Apparatus (pp. 38–46). London: Macmillan.   
Last edited by: Mark Grimshaw-Aagaard 16/02/2006, 08:04
Hayward, P. (Ed.). (2004). Off the planet: Music, sound and science fiction cinema. London: John Libbey.   
Added by: Mark Grimshaw-Aagaard 28/11/2005, 15:23
Heimerdinger, J. 2011, Music and sound in the horror film & why some modern and avant-garde music lends itself to it so well. Unpublished paper presented at Filmmusiktage.   
Added by: Mark Grimshaw-Aagaard 01/08/2015, 19:39
King, G., & Krzywinska, T. (2006). Film studies and digital games. In J. Rutter & J. Bryce (Eds), Understanding digital games (pp. 112–128). London: Sage Publications.   
Added by: Mark Grimshaw-Aagaard 02/06/2007, 02:39
Klimek, M. P. (1992). Imagining the sound(s) of Shakespeare: Sound and adaptation. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 204–216). New York: Routledge.   
Added by: Mark Grimshaw-Aagaard 01/11/2004, 11:44
Kracauer, S. (1960). Dialogue and sound. Retrieved February 19, 2020, from https://ifsstech.files. ... siegfried_kracauer1.pdf   
Last edited by: Mark Grimshaw-Aagaard 10/09/2021, 10:23
Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press.   
Added by: Mark Grimshaw-Aagaard 13/03/2006, 10:16
Lastra, J. (1992). Reading, writing, and representing sound. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 65–86). New York: Routledge.   
Last edited by: Mark Grimshaw-Aagaard 03/03/2006, 14:09
Lawrence, A. (1992). Women's voices in third world cinema. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 178–190). New York: Routledge.   
Added by: Mark Grimshaw-Aagaard 27/10/2004, 16:00
LoBrutto, V. (1994). Sound-on-film: Interviews with creators of film sound. Westport, CT: Praeger.   
Last edited by: Mark Grimshaw-Aagaard 06/09/2005, 13:25
Palmer, I. J. (2002). How realistic is the sound design in the D-Day landing sequence in Saving Private Ryan? Unpublished thesis master's, Bournemouth University.   
Last edited by: Mark Grimshaw-Aagaard 11/03/2006, 11:12
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WIKINDX 6.9.0 | Total resources: 1303 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: American Psychological Association (APA)