Pudovkin, V. I. (1934). Asynchronism as a principle of sound film. Retrieved September 10, 2021, from https://web.archive.org ... ne/575/asynchronism.htm |
|
Last edited by: Mark Grimshaw-Aagaard 10/09/2021, 10:29 |
|
Ruoff, J. K. (1992). Conventions of sound in documentary. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 217–234). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 01/11/2004, 12:11 |
|
Scott, R. (Director) (1979). Alien [Film]. G. Carroll, D. Giler & W. Hill (Producers). USA: 20th Century Fox. |
|
Added by: Mark Grimshaw-Aagaard 07/05/2006, 16:54 |
|
Thom, R. (1999). Designing a movie for sound. Retrieved September 29, 2003, from http://www.filmsound.or ... designing_for_sound.htm |
|
Added by: Mark Grimshaw-Aagaard 27/11/2014, 09:44 |
|
Thompson, K., & Bordwell, D. (2003). Film history: An introduction. 2nd ed. New York: McGraw-Hill. |
|
Added by: Mark Grimshaw-Aagaard 16/02/2006, 09:46 |
|
Truppin, A. (1992). And then there was sound: The films of Andrei Tarkovsky. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 235–248). New York: Routledge. |
|
Last edited by: Mark Grimshaw-Aagaard 11/01/2006, 02:08 |
|
Whalen, Z. (2004). Play along -- an approach to videogame music. Game Studies, 4(1). Retrieved February 20, 2005, from http://www.gamestudies.org/0401/whalen/ |
|
Added by: Mark Grimshaw-Aagaard 06/12/2015, 19:50 |
|
Williams, A. (1992). Historical and theoretical issues in the coming of recorded sound to the cinema. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 126–137). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 26/10/2004, 12:45 |
|