| van Elferen, I. (2011). ¡un forastero! Issues of virtuality and diegesis in videogame music. Music and the Moving Image, 4(2), 30–39. |
 
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| Grieb, M. (2002). Run lara run. In G. King & T. Krzywinska (Eds.), Screenplay: Cinema/Videogames/Interfaces (pp. 157–170). London: Wallflower Press. |
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| Grimshaw, M., Lindley, C. A., & Nacke, L. 2008, October 22–23, Sound and immersion in the first-person shooter: Mixed measurement of the player's sonic experience. Paper presented at Audio Mostly 2008, Piteå, Sweden. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Deleted user 7/31/09, 4:58 PM |
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| Jørgensen, K. (2007). On transdiegetic sounds in computer games. Northern Lights, 5, 105–117. |
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| Added by: Mark Grimshaw-Aagaard 1/5/09, 10:37 AM |
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| Laurel, B. (1993). Computers as theatre. New York: Addison-Wesley. |
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 5/15/08, 10:25 AM |
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| Wolf, M. J. P. (2001). Time in the video game. In M. J. P. Wolf (Ed), The Medium of the Video Game (pp. 78–91). Austin: University of Texas Press. |
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| Added by: Mark Grimshaw-Aagaard 2/14/06, 11:28 AM |
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