| Chion, M. (1994). Audio-vision: Sound on screen. C. Gorbman, Trans. New York: Columbia University Press. |
 
|
| Added by: Mark Grimshaw-Aagaard 6/7/21, 8:48 AM |
|
| Curtis, S. (1992). The sound of the early Warner Bros. cartoons. In R. Altman (Ed), Sound Theory Sound Practice (pp. 191–203). New York: Routledge. |
|
| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 2/13/20, 1:23 PM |
|
| Diegesis. (2003-2006). Wikipedia, Retrieved January 12, 2006, from http://en.wikipedia.org/wiki/Diegetic |
|
| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 5/15/06, 12:44 PM |
|
| Diegesis (2005). In Oxford English Dictionary Online Oxford: Oxford University Press. |
|
| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 2/1/06, 4:16 PM |
|
| Palmer, I. J. (2002). How realistic is the sound design in the D-Day landing sequence in Saving Private Ryan? Unpublished thesis master's, Bournemouth University. |
|
| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 3/11/06, 11:12 AM |
|
| Truppin, A. (1992). And then there was sound: The films of Andrei Tarkovsky. In R. Altman (Ed), Sound Theory Sound Practice (pp. 235–248). New York: Routledge. |
|
| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 1/11/06, 2:08 AM |
|
| Whalen, Z. (2004). Play along -- an approach to videogame music. Game Studies, 4(1). Retrieved February 20, 2005, from http://www.gamestudies.org/0401/whalen/ |
|
| Added by: Mark Grimshaw-Aagaard 12/6/15, 7:50 PM |
|
