| Altman, R. (Ed.). (1992). Sound theory sound practice. New York: Routledge. |
 
|
| Added by: Mark Grimshaw-Aagaard 14/12/2004, 21:18 |
|
| Bridgett, R. (2003). Off screen sound in interactive media. Retrieved November 25, 2021, from http://web.archive.org/ ... d-design.org.uk/off.htm |
|
| Last edited by: Mark Grimshaw-Aagaard 25/10/2021, 13:35 |
|
| Carr, D. (2002). Playing with Lara. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 171–180). London: Wallflower Press. |
|
| Last edited by: Mark Grimshaw-Aagaard 25/10/2021, 13:44 |
|
| Chion, M. (1994). Audio-vision: Sound on screen. C. Gorbman, Trans. New York: Columbia University Press. |
|
| Added by: Mark Grimshaw-Aagaard 07/06/2021, 08:48 |
|
| Dhomont, F. (1995). Acousmatic update. Contact! 8(2). Retrieved February 5, 2014, from http://cec.sonus.ca/contact/contact82Dhom.html |
|
| Last edited by: Mark Grimshaw-Aagaard 06/02/2014, 15:54 |
|
| Erlmann, V. (2000). Reason and resonance: A history of modern aurality. New York: Zone Books. |
|
| Last edited by: Mark Grimshaw-Aagaard 15/02/2024, 08:01 |
|
| Scruton, R. (2009). Sounds as secondary objects and pure events. In M. Nudds & C. O'Callaghan (Eds), Sounds & Perception (pp. 50–68). Oxford: Oxford University Press. |
|
| Added by: Mark Grimshaw-Aagaard 07/02/2014, 14:10 |
|
| Stockburger, A. 2003, November 4–6, The game environment from an auditive perspective. Paper presented at Level Up, Utrecht Universiteit. |
|
| Last edited by: Mark Grimshaw-Aagaard 15/05/2008, 10:09 |
|
| Stockburger, A. (2006). The rendered arena: Modalities of space in video and computer games. Unpublished thesis PhD, University of the Arts, London. |
|
| Added by: Mark Grimshaw-Aagaard 15/05/2008, 15:04 |
|
| Tuuri, K., Mustonen, M.-S., & Pirhonen, A. 2007, September 27–28, Same sound — different meanings: A novel scheme for different modes of listening. Paper presented at Audio Mostly 2007. |
|
| Last edited by: Mark Grimshaw-Aagaard 07/05/2008, 12:43 |
|
| Warren, D. H., Welch, R. B., & McCarthy, T. J. (1981). The role of visual-auditory "compellingness" in the ventriloquism effect: Implications for transitivity among the spatial senses. Perception & Psychophysics, 30(6), 557–564. |
|
| Last edited by: Mark Grimshaw-Aagaard 26/08/2015, 08:42 |
|
| White, G. R., Fitzpatrick, G., & McAllister, G. 2008, September 10–12, Toward accessible 3D virtual environments for the blind and visually impaired. Paper presented at 3rd international conference on Digital Interactive Media in Entertainment and Arts, New York. |
|
| Last edited by: Mark Grimshaw-Aagaard 09/12/2008, 06:23 |
|
