| Bather, N. (2004). The darkness of Mordor: The sound of evil in The Lord of the Rings. Screen Education, 37, 167–170. |
|
| Last edited by: sirfragalot 04/11/2006 10:47:24 AM |
|
| Bringsjord, S. (2001). Is it possible to build dramatically compelling interactive digital entertainment (in the form, e.g., of computer games)? Game Studies, 1(1). Retrieved September 16, 2003, from http://www.gamestudies.org/0101/bringsjord/ |
|
| Last edited by: sirfragalot 09/04/2006 03:00:43 PM |
|
| Brown, B., Rutherford, P., & Crawford, P. (2015). The role of noise in clinical environments with particular reference to mental health care: A narrative review. International Journal of Nursing Studies, 52(9), 1514–1524. |
|
| Added by: sirfragalot 03/11/2018 09:41:05 PM |
|
| Burn, A., & Schott, G. (2004). Heavy hero or digital dummy? Multimodal player-avatar relations in Final Fantasy 7. visual communication, 3(2), 213–233. |
|
| Last edited by: sirfragalot 08/15/2006 03:13:37 PM |
|
| Carr, D. (2006). Games and narrative. In Computer Games: Text, Narrative and Play (pp. 30–44). Cambridge: Polity. |
|
| Added by: sirfragalot 08/21/2006 03:48:56 PM |
|
| Chion, M. (1994). Audio-vision: Sound on screen C. Gorbman, Trans. New York: Columbia University Press. |
|
| Added by: sirfragalot 06/07/2021 08:48:33 AM |
|
| Darley, A. (2000). Visual digital culture: Surface play and spectacle in new media genres. London: Routledge. |
|
| Last edited by: sirfragalot 11/05/2006 11:59:08 AM |
|
| Eskelinen, M. (2001). The gaming situation. Game Studies, 1(1). Retrieved August 31, 2006, from http://www.gamestudies.org/0101/eskelinen/ |
|
| Added by: sirfragalot 08/31/2006 02:44:52 PM |
|
| Grodal, T. (2003). Stories for eye, ear, and muscles: Video games, media, and embodied experiences. In M. J. P. Wolf & B. Perron (Eds), The Video Game Theory Reader (pp. 129–155). New York: Routledge. |
|
| Last edited by: sirfragalot 08/22/2006 08:23:03 AM |
|
| Hourigan, B. , The utopia of open space in role-playing videogames. Paper presented at 5th International Digital Arts and Culture Conference, RMIT, Melbourne. |
|
| Added by: sirfragalot 09/10/2004 08:42:52 AM |
|
| Iyendo, T. O. (2016). Exploring the effect of sound and music on health in hospital settings: A narrative review. International Journal of Nursing Studies, 63(82), 82–100. |
|
| Last edited by: sirfragalot 03/11/2018 09:40:46 PM |
|
| Juul, J. (2001). Games telling stories? A brief note on games and narratives. Game Studies, 1(1). Retrieved September 16, 2003, from http://www.gamestudies.org/0101/juul-gts/ |
|
| Last edited by: sirfragalot 09/04/2006 03:02:08 PM |
|
| King, G., & Krzywinska, T. (2002). Cinema/videogames/interfaces. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 1–32). London: Wallflower Press. |
|
| Added by: sirfragalot 04/11/2006 01:42:10 PM |
|
| King, G. (2003). Die hard/try harder: Narrative, spectacle and beyond, from hollywood to videogame. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 50–65). London: Wallflower Press. |
|
| Added by: sirfragalot 09/23/2004 12:28:20 PM |
|
| Kücklich, J. (2003). Perspectives of computer game philology. Game Studies, 3(1). Retrieved September 16, 2003, from http://www.gamestudies.org/0301/kucklich/ |
|
| Last edited by: sirfragalot 09/04/2006 03:02:44 PM |
|
| Laurel, B. (1993). Computers as theatre. New York: Addison-Wesley. |
|
| Last edited by: sirfragalot 05/15/2008 10:25:48 AM |
|
| Liang, W., & Tan, M. C. C. (2002). Vision and virtuality: The construction of narrative space in film and computer games. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 98–109). London: Wallflower Press. |
|
| Last edited by: sirfragalot 09/22/2005 01:11:20 PM |
|
| Lindley, C. A. (2002). Conditioning, learning and creation in games: Narrative, the gameplay gestalt and generative simulation. Retrieved May 24, 2004, from http://zerogame.tii.se/pdfs/NILE.pdf |
|
| Last edited by: sirfragalot 09/26/2005 11:12:45 AM |
|
| Lindley, C. A. (2005). The semiotics of time structure in ludic space as a foundation for analysis and design. Game Studies, 5(1). Retrieved March 22, 2006, from http://www.gamestudies.org/0501/lindley/ |
|
| Last edited by: sirfragalot 03/22/2006 04:10:46 PM |
|
| Mactavish, A. (2002). Technological pleasure: The performance and narrative of technology in Half-Life and other high-tech computer games. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 33–49). London: Wallflower Press. |
|
| Last edited by: sirfragalot 01/13/2006 01:10:53 PM |
|
