| Altman, R. (Ed.). (1992). Sound theory sound practice. New York: Routledge. |
 
|
| Added by: Mark Grimshaw-Aagaard 14/12/2004, 21:18 |
|
| Bather, N. (2004). The darkness of Mordor: The sound of evil in The Lord of the Rings. Screen Education, 37, 167–170. |
|
| Last edited by: Mark Grimshaw-Aagaard 11/04/2006, 10:47 |
|
| Bessell, D. (2002). What's that funny noise? An examination of the role of music in Cool Boarders 2, Alien Trilogy and Medievil 2. In G. King & T. Krzywinska (Eds), Screenplay: Cinema/Videogames/Interfaces (pp. 136–144). London: Wallflower Press. |
|
| Added by: Mark Grimshaw-Aagaard 04/10/2004, 17:07 |
|
| Bird, B. (Director) (2004). The Incredibles [Film]. J. Walker (Producer). USA: Disney/Pixar Animation Studios. |
|
| Last edited by: Mark Grimshaw-Aagaard 09/06/2012, 09:44 |
|
| Bridgett, R. (1999). The aesthetics of film music: From romanticism to modernism. Retrieved March 8, 2004, from http://www3.sympatico.ca/qualish/music.htm |
|
| Added by: Mark Grimshaw-Aagaard 02/06/2020, 09:07 |
|
| Bridgett, R. (2002). Citizen kane: Acoustic sound as expressionist device. Retrieved March 8, 2004, from http://www3.sympatico.ca/qualish/kane.htm |
|
| Added by: Mark Grimshaw-Aagaard 06/05/2008, 15:43 |
|
| Bridgett, R. (2002). Problems with the film music model. Retrieved November 25, 2021, from http://web.archive.org/ ... ign.org.uk/problems.htm |
|
| Last edited by: Mark Grimshaw-Aagaard 25/10/2021, 13:36 |
|
| Bross, M. (1997). Effective music for games and multimedia. Gamasutra, 1 Retrieved September 6, 2004, from http://www.gamasutra.co ... 497/effective_music.htm |
|
| Added by: Mark Grimshaw-Aagaard 06/09/2004, 17:53 |
|
| Chion, M. (1994). Audio-vision: Sound on screen. C. Gorbman, Trans. New York: Columbia University Press. |
|
| Added by: Mark Grimshaw-Aagaard 07/06/2021, 08:48 |
|
| Cohen, A. J. (2002). Music as a source of emotion in film. In P. N. Juslin & J. A. Sloboda (Eds), Music and Emotion: Theory and Research (pp. 249–272). Oxford: Oxford University Press. (Original work published 2001). |
|
| Added by: Mark Grimshaw-Aagaard 02/09/2005, 12:50 |
|
| Droney, M. (2005). On his game. Retrieved February 10, 2006, from http://emusician.com/mag/emusic_game_3/ |
|
| Added by: Mark Grimshaw-Aagaard 10/02/2006, 13:02 |
|
| Lastra, J. (2000). Sound technology and the American cinema: Perception, representation, modernity. New York: Columbia University Press. |
|
| Added by: Mark Grimshaw-Aagaard 13/03/2006, 10:16 |
|
| Michael Giacchino. (n.d.). Retrieved February 10, 2006, from http://www.michaelgiacchino.com/credits.html |
|
| Last edited by: Mark Grimshaw-Aagaard 10/02/2006, 13:33 |
|
| Video game music archive. (n.d.). Retrieved October 26, 2010, from http://www.vgmusic.com/ |
|
| Added by: Mark Grimshaw-Aagaard 26/10/2010, 06:15 |
|
| Watamaniuk, J. Neverwinter Nights: Interview with composer David John. Retrieved February 10, 2006, from http://nwn.bioware.com/ ... profile_david_john.html |
|
| Added by: Mark Grimshaw-Aagaard 10/02/2006, 12:54 |
|
| Whalen, Z. (2004). Play along -- an approach to videogame music. Game Studies, 4(1). Retrieved February 20, 2005, from http://www.gamestudies.org/0401/whalen/ |
|
| Added by: Mark Grimshaw-Aagaard 06/12/2015, 19:50 |
|
