Doane, M. A. (1980). Ideology and the practice of sound editing and mixing. In T. de Lauretis & S. Heath (Eds), The Cinematic Apparatus (pp. 47–56). London: Macmillan. |
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Last edited by: Mark Grimshaw-Aagaard 06/06/2023, 14:41 |
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"In the arguments over sound perspective, 'realism' (as an effect of the ideology of the visible) is viewed as conflicting with intelligibility". |
Ihde, D. (2007). Listening and voice: Phenomenologies of sound. 2nd ed. Albany (NY): State University of New York Press. (Original work published 1976). |
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Last edited by: Mark Grimshaw-Aagaard 12/12/2023, 16:38 |
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In describing visual depth and horizonal perspective, Ihde says the latter has "a constant ratio of present to hidden, of visible to invisible" and that, auditorily, "this hidden depth is silence" |