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Doane, M. A. (1980). Ideology and the practice of sound editing and mixing. In T. de Lauretis & S. Heath (Eds), The Cinematic Apparatus (pp. 47–56). London: Macmillan.   
Last edited by: Mark Grimshaw-Aagaard 06/06/2023, 14:41
"In the arguments over sound perspective, 'realism' (as an effect of the ideology of the visible) is viewed as conflicting with intelligibility".
Ihde, D. (2007). Listening and voice: Phenomenologies of sound. 2nd ed. Albany (NY): State University of New York Press. (Original work published 1976).   
Last edited by: Mark Grimshaw-Aagaard 12/12/2023, 16:38
In describing visual depth and horizonal perspective, Ihde says the latter has "a constant ratio of present to hidden, of visible to invisible" and that, auditorily, "this hidden depth is silence"
WIKINDX 6.8.2 | Total resources: 1301 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: American Psychological Association (APA)