| Doane, M. A. (1980). Ideology and the practice of sound editing and mixing. In T. de Lauretis & S. Heath (Eds), The Cinematic Apparatus (pp. 47–56). London: Macmillan. |
 
|
| Last edited by: Mark Grimshaw-Aagaard 06/06/2023, 14:41 |
|
| Spoken words reveal directly the psychological interior revealing the character on screen. While image can do this, sound is more direct. Image is best at defining the exterior (i.e. visible realism) whereas sound best defines the interior (i.e. psychological realism). |
| Tinwell, A., Grimshaw, M., & Williams, A. (2011). The Uncanny Wall. International Journal of Arts and Technology, 4(3), 326–341. |
|
| Last edited by: Mark Grimshaw-Aagaard 28/05/2021, 08:19 |
|
The Uncanny Wall: “technological discernment on the part of the audience generally keeps pace with technological developments used in the attempt to create realistic, human-like characters such that, ultimately, the perception of uncanniness for such characters is inevitable.”
|
