| Knakkergaard, M. (2016). Unsound sound: On the ontology of sound in the digital age. Leonardo Music Journal, 26, 64–67. |
 
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| Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard 11/1/17, 7:44 AM |
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| Using Heidegger, he describes the uncovering of nature made possible by technology, a process driven by humans: the uncovering is ordered and, in its ordering, "is co-shaping our concept and understanding of what is uncovered and ordered [there is a ] formatting that the exercise of any technique applies to what is uncovered and made available." |
| "The assembly is manifested in enframing form, but is it the real as standing reserve the enframing uncovers? Hardly, as the possible "un-covering" seems petrified in the metaphorical tables that define and delimit actions in the digital domain." |
