| Blumenberg, H. (1983). The legitimacy of the modern age. R. M. Wallace, Trans. Cambridge, Massachusetts: MIT Press. |
 
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| Added by: Mark Grimshaw-Aagaard 18/01/2021, 12:32 |
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| "the discovery of the telescope signifies a caesura, beyond which a continuous increase in accessible reality could be anticipated" |
| Carter, P. (2004). Ambiguous traces, mishearing, and auditory space. In V. Erlmann (Ed.), Hearing Cultures: Essays on Sound Listening and Modernity (pp. 43–63). Oxford: Berg. |
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| Added by: Mark Grimshaw-Aagaard 20/12/2007, 17:14 |
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| "...making sound recordings involves a poetics of performance reflecting the character and limitations of the technology." |
| Gaver, W. W. (1993). What in the world do we hear? An ecological approach to auditory perception. Ecological Psychology, 5(1), 1–29. |
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| Last edited by: Mark Grimshaw-Aagaard 14/10/2008, 00:12 |
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Notes that sound FX CDs usually categorize by context although there is usually some further description of sound objects' hierarchy and physical properties. "A hierarchical framework that describes sounds' attributes and dimensions thus seems more likely to be generative, to delineate a space of possible sounds, rather than context-based classifications."
 p.21
A simple hierarchy might be:
 p.22
while a more complex hierarchy might be:
 p.24
Notes that his preliminary categorisation into solid, liquid and gaseous sound does not cover all eventualities. What about fire? |
| Heidegger, M. (1977). The question concerning technology and other essays. W. Lovitt, Trans. New York & London: Garland Publishing. |
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| Last edited by: Mark Grimshaw-Aagaard 10/05/2023, 09:57 |
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| "But we do not yet hear, we whose hearing and seeing are perishing through radio and film under the rule of technology." |
| Špelda, D. (2017). The role of the telescope and microscope in the constitution of the Idea of scientific progress. The Seventeenth Century, 34(1), 107–126. |
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| Last edited by: Mark Grimshaw-Aagaard 20/02/2021, 12:40 |
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| Discussing Pascal's defense of the Ancient Greeks, Špelda summarizes the effect of Pascal's view as "[it became] apparent that knowledge is relative to the extent of experience which depends on improvements in technology."
Pascal, B.“Préface sur le Traité du Vide.”Vol. 1 of Blaise Pascal.Oeuvres Complètes, edited by M.Le Guern, 452–458. Paris: Gallimard, 1998. |
| Thompson, K., & Bordwell, D. (2003). Film history: An introduction. 2nd ed. New York: McGraw-Hill. |
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| Added by: Mark Grimshaw-Aagaard 16/02/2006, 09:46 |
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| The ability to record then mix sound to film at a later date was increasingly possible from 1931 onwards. |
