| Ballas, J. A. (1994). Delivery of information through sound. In G. Kramer (Ed.), Auditory Display: Sonification, Audification, and Auditory Interfaces (pp. 79–94). Reading MA: Addison-Wesley. |
 
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| Last edited by: Mark Grimshaw-Aagaard 28/04/2009, 06:34 |
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| Points out that a sound can be dissociated from its causal event unlike, for example, light/vision and that this dissociation has advantages and disadvantages. Because a sound can be representative of something other than its causal event (dissociated), sound designers need to understand the mapping of sound parameters to complex phenomena. Where no dissociation occurs, designers need to take into account sound context and listener expectations. |
| de Valck, M. (2005). Sound gag: The use of sound for comic effect in the films of Jacques Tati. New Review of Film and Television Studies, 3(2), 223–235. |
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| Last edited by: Mark Grimshaw-Aagaard 21/10/2005, 14:46 |
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| Discusses the synchronising of unusual sound effects to footsteps in Mon Oncle (1958), for example the use of ping-pong balls and other objects |
