Sound Research WIKINDX

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Displaying 1 - 20  of 164 (Bibliography: WIKINDX Master Bibliography)
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Abram, D. (2017). The spell of the sensuous: Perception and language in a more-than-human world. New York: Vintage Books. (Original work published 1997).   
Last edited by: Mark Grimshaw-Aagaard 8/13/23, 12:28 PM
Adorno, T. W., & Eisler, H. (1994). Composing for the films. London: Athlone Press.   
Last edited by: Mark Grimshaw-Aagaard 1/6/07, 7:09 AM
Alder, K. (2004). The measure of all things: The seven-year odyssey and hidden error that transformed the world. London: Abacus.   
Last edited by: Mark Grimshaw-Aagaard 11/30/23, 12:18 PM
Alten, S. R. (2002). Audio in media. 6th ed. Belmont CA: Wadsworth/Thomson Learning.   
Added by: Mark Grimshaw-Aagaard 3/7/06, 1:22 PM
Altman, R. (Ed.). (1992). Sound theory sound practice. New York: Routledge.   
Added by: Mark Grimshaw-Aagaard 12/14/04, 9:18 PM
Anderson, J. D. (1996). The reality of illusion: An ecological approach to cognitive film theory. Carbondale and Edwardsville: Southern Illinois University Press.   
Last edited by: Mark Grimshaw-Aagaard 10/28/16, 6:06 PM
Anzieu, D. (1989). The skin ego: A psychoanalytical approach to the self. C. Turner, Trans. New Haven and London: Yale University Press.   
Last edited by: Mark Grimshaw-Aagaard 5/18/23, 7:18 AM
Atherton, C. (1993). The Stoics on ambiguity. Cambridge University Press.   
Added by: Mark Grimshaw-Aagaard 10/26/21, 11:21 AM
Attali, J. (2009). Noise: The political economy of music. B. Massumi, Trans. Minneapolis: University of Minnesota Press. (Original work published 1984).   
Last edited by: Mark Grimshaw-Aagaard 10/17/23, 10:47 AM
Bacon, F. (1627). The New Atlantis. 11th ed. Project Gutenberg.   
Last edited by: Mark Grimshaw-Aagaard 9/15/06, 7:01 AM
Baudrillard, J. (1994). Simulacra and simulation. S. Glaser, Trans. The University of Michigan Press.   
Last edited by: Mark Grimshaw-Aagaard 6/2/13, 11:19 AM
Bech, S., & Zacharov, N. (2006). Perceptual audio evaluation: Theory, method and application. Chichester: John Wiley & Sons.   
Added by: Mark Grimshaw-Aagaard 7/11/14, 12:28 PM
Bergson, H. (1912). An introduction to metaphysics. T. E. Hulme, Trans. New York and London: G. P. Putnam's sons.   
Added by: Mark Grimshaw-Aagaard 5/10/23, 9:36 AM
Bernds, E. (1999). Mr. Bernds goes to Hollywood: My early life and career in sound recording at Columbia with Frank Capra and others. Lanham MD: Scarecrow Press.   
Last edited by: Mark Grimshaw-Aagaard 2/12/06, 10:23 AM
Berry, C. (1987). The actor and his text. London: Harrap.   
Last edited by: Mark Grimshaw-Aagaard 8/14/20, 3:34 PM
Blacking, J. (1977). How musical is man? 1st ed. University of Washington Press.   
Added by: Costantino Oliva 10/8/15, 3:43 PM
Blesser, B., & Salter, L.-R. (2007). Spaces speak, are you listening? Experiencing aural architecture. Cambridge, Massachusetts: MIT Press.   
Last edited by: Mark Grimshaw-Aagaard 10/23/23, 3:11 PM
Blumenberg, H. (1983). The legitimacy of the modern age. R. M. Wallace, Trans. Cambridge, Massachusetts: MIT Press.   
Added by: Mark Grimshaw-Aagaard 1/18/21, 12:32 PM
Bowker, G. C., & Star, S. L. (2000). Sorting things out: Classification and its consequences. Cambridge, Massachusetts: MIT Press.   
Last edited by: Mark Grimshaw-Aagaard 11/30/23, 12:18 PM
Brandon, A. (2005). Audio for games: Planning, process, and production. Berkeley: New Riders.   
Last edited by: Mark Grimshaw-Aagaard 1/14/09, 10:40 AM
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WIKINDX 6.9.0 | Total resources: 1305 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: American Psychological Association (APA)