Altman, R. (Ed.). (1992). Sound theory sound practice. New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 14/12/2004, 21:18 |
|
Altman, R. (1992). Afterword: A baker's dozen terms for sound analysis. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 249–253). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 04/11/2004, 12:57 |
|
Altman, R. (1992). General introduction: Cinema as event. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 1–14). New York: Routledge. |
|
Last edited by: Mark Grimshaw-Aagaard 18/04/2005, 16:26 |
|
Altman, R. (1992). Introduction: Four and a half film fallacies. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 35–45). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 23/04/2007, 21:17 |
|
Altman, R. (1992). Introduction: Sound/history. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 113–125). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 26/10/2004, 11:56 |
|
Altman, R. (1992). Introduction: Sound's dark corners. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 171–177). New York: Routledge. |
|
Last edited by: Mark Grimshaw-Aagaard 27/01/2006, 09:51 |
|
Altman, R. (1992). Sound space. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 46–64). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 16/02/2006, 08:28 |
|
Altman, R. (1992). The material heterogeneity of recorded sound. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 15–31). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 14/10/2004, 12:19 |
|
Baddeley, A., & Logie, R. (1992). Auditory imagery and working memory. In D. Reisberg (Ed.), Auditory Imagery (pp. 179–197). Mahwah (NJ): Lawrence Elrbaum Associates. |
|
Last edited by: Mark Grimshaw-Aagaard 25/12/2014, 11:00 |
|
Belton, J. (1992). 1950s magnetic sound: The frozen revolution. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 154–167). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 26/10/2004, 14:44 |
|
Chion, M. (1992). Wasted words. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 104–110). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 26/10/2004, 10:29 |
|
Corner, J. (1992). Presumption as theory: 'realism' in television studies. Screen, 33(1), 97–102. |
|
Added by: Mark Grimshaw-Aagaard 28/03/2006, 11:02 |
|
Crowder, R. G., & Pitt, M. A. (1992). Research on memory/imagery for musical timbre. In D. Reisberg (Ed.), Auditory Imagery (pp. 29–44). Mahwah (NJ): Lawrence Elrbaum Associates. |
|
Last edited by: Mark Grimshaw-Aagaard 25/12/2014, 11:00 |
|
Curtis, S. (1992). The sound of the early Warner Bros. cartoons. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 191–203). New York: Routledge. |
|
Last edited by: Mark Grimshaw-Aagaard 13/02/2020, 13:23 |
|
Ďurovičová, N. (1992). Translating America: The Hollywood multilinguals 1929-1933. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 138–153). New York: Routledge. |
|
Last edited by: Mark Grimshaw-Aagaard 16/10/2006, 12:00 |
|
Fontaine, G. (1992). The experience of a sense of presence in intercultural and international encounters. Presence: Teleoperators and Virtual Environments, 1(4), 482–490. |
|
Last edited by: Mark Grimshaw-Aagaard 11/09/2018, 17:21 |
|
Gamer's Edge. (1992). The catacomb abyss. [Computer Game]. Shreveport LA: Softdisk Publishing. |
|
Added by: Mark Grimshaw-Aagaard 04/03/2006, 11:35 |
|
Heeter, C. (1992). Being there: The subjective experience of presence. Presence: Teleoperators and Virtual Environments, 1(2), 262–271. |
|
Last edited by: Mark Grimshaw-Aagaard 11/09/2018, 17:20 |
|
Held, R. M., & Durlach, N. I. (1992). Telepresence. Presence: Teleoperators and Virtual Environments, 1(1), 109–112. |
|
Last edited by: Mark Grimshaw-Aagaard 11/09/2018, 17:06 |
|
Klimek, M. P. (1992). Imagining the sound(s) of Shakespeare: Sound and adaptation. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 204–216). New York: Routledge. |
|
Added by: Mark Grimshaw-Aagaard 01/11/2004, 11:44 |
|