Adorno, T. W., & Horkheimer, M. (2005). The culture industry: Enlightenment as mass deception. Retrieved August 28, 2019, from https://www.marxists.or ... 44/culture-industry.htm |
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Ambroise, C. (2005-2006). dokuwikibibtexplugin. [Dokuwiki plug-in]. |
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Andersson, P., Carlander, O., Hörberg, U., Jander, H., Kindström, M., & Sandberg, S. (2005). Invisning med fritt tal, bäring 3D-ljud. (User Report) No. FOI-R--1786--SE. Linköping: FOI - Swedish Defence Research Agency. |
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Bartkowiak, A. (Director) (2005). Doom III [Film]. J. Wells (Producer). USA: Universal Pictures. |
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Berressem, H. (2005). n-1 sexes. Rhizomes, 11(12). Retrieved July 7, 2006, from http://www.rhizomes.net ... 11/berressem/index.html |
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Blomkvist, V., Eriksen, C. A., Theorell, T., Ulrich, R., & Rasmanis, G. (2005). Acoustics and psychosocial environment in intensive coronary care. Occupational and Environmental Medicine, 62(e1). |
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Böhme, H. (2005). The metaphysics of phenomena: Telescope and microscope in the works of Goethe, Leeuwenhoek, and Hooke. In H. Schramm, L. Schwarte & J. Lazardzig (Eds), Collection, Laboratory, Theater: Scenes of Knowledge in the 17th Century Vol. 1, (pp. 355–393). De Gruyter. |
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Bormann, K. (2005). Presence and the utility of audio spatialization. Presence: Teleoperators and Virtual Environments, 14(3), 278–297. |
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Brandon, A. (2005). Audio for games: Planning, process, and production. Berkeley: New Riders. |
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Breinbjerg, M. (2005). The aesthetic experience of sound: Staging of auditory spaces in 3D computer games. Retrieved January 24, 2006, from http://www.aestheticsofplay.org/breinbjerg.php |
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Brenton, H., Gillies, M., Ballin, D., & Chatting, D. 2005, September 6, The Uncanny Valley: Does it exist and is it related to presence? Paper presented at Proceedings of the Human-Animated Characters Interaction. |
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Brug af ultralyd. (2005). Retrieved May 7, 2022, from https://at.dk/regler/at ... er/brug-ultralyd-d-6-6/ |
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Bunzeck, N., Wuestenberg, T., Lutz, K., Heinze, H.-J., & Jancke, L. (2005). Scanning silence: Mental imagery of complex sounds. NeuroImage, 26(4), 1119–1127. |
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Byrne, R. M. J. (2007). The rational imagination: How people create alternatives to reality. Cambridge: The MIT Press. (Original work published 2005). |
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Cano, P., Koppenberger, M., le Groux, S., Ricard, J., Wack, N., & Herrera, P. (2005). Nearest neighbor automatic sound annotation with a WordNet taxonomy. Journal of Intelligent Systems, 24(2/3), 99–111. |
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Casati, R., Dokic, J., & Di Bona, E. (2005-2020). Sounds. Stanford Encyclopedia of Philosophy. Retrieved October 27, 2021, from http://plato.stanford.edu/entries/sounds/. |
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Chagas, P. C. (2005). Polyphony and embodiment: A critical approach to the theory of autopoiesis. Revista Transcultural de Música, 9 Retrieved July 7, 2006, from http://www.sibetrans.com/trans/trans9/chagas.htm |
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Collins, K. (2005). From bits to hits: Video games music changes its tune. Film International, 12, 4–19. |
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Cross, I. (2005). Music and meaning, ambiguity and emotion. In D. Miell, R. MacDonald & D. J. Hargreaves (Eds), Musical Communication New York: Oxford University Press. |
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Diegesis (2005). In Oxford English Dictionary Online Oxford: Oxford University Press. |
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Last edited by: Mark Grimshaw-Aagaard 01/02/2006, 16:16 |
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