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Wurtzler, S. (1992). "She sang live, but the microphone was turned off": The live, the recorded and the subject of representation. In R. Altman (Ed.), Sound Theory Sound Practice (pp. 87–103). New York: Routledge. 
Added by: sirfragalot (3/3/06, 2:56 PM)   Last edited by: sirfragalot
Resource type: Book Article
BibTeX citation key: Wurtzler1992
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Categories: Film Music/Sound
Creators: Altman, Wurtzler
Publisher: Routledge (New York)
Collection: Sound Theory Sound Practice
Views: 2/560
Notes
The discourse between 'live' and 'recorded' -- draws on TV and popular music studies.
Added by: sirfragalot  Last edited by: sirfragalot
Quotes
p.88   A representation posits "an absent original event"   Added by: sirfragalot
Keywords:   Authenticity Reproduction/Representation
p.88   The audiophile has a "fetishistic relationship to the means of representing [in order to gain] increased access to an original performance event"   Added by: sirfragalot
Keywords:   Authenticity Reproduction/Representation
p.88   Representational technologies (including virtual reality) are representations for which there is no original event: "[C]opies are produced for which no original exists"   Added by: sirfragalot
Keywords:   Authenticity Reproduction/Representation
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