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"We Travel the Spaceways": Urban utopianism and the imagined spaces of black experimental music. (2012). Urban Geography, 33(4), 566–592. 
Added by: Deleted user (25/04/2024, 16:59)   Last edited by: Mark Grimshaw-Aagaard
Resource type: Journal Article
Peer reviewed
DOI: 10.2747/0272-3638.33.4.566
ID no. (ISBN etc.): 1838-2847
BibTeX citation key: anon2012
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Categories: General
Keywords: Arcade, Architecture, Muzak, Utopia - Dystopia
Publisher: Taylor & Francis Online
Collection: Urban Geography
Views: 10/213
Abstract
"Recent geographical studies of music (e.g., Anderson, 2002; Wood et al., 2007) suggest their potential to contribute to critical utopian thinking. This study offers a preliminary examination of musical utopianism, focusing in particular on its contribution to several questions provoked by the emerging dialogue between urban spatial theory and artistic cultural practice (Pinder, 2008). Drawing insights from philosophy, musicology, sociology, geography, and urban studies, this theoretical investigation centers on how music creates imagined spaces and whether these spaces might be considered utopian. Following a discussion of black music's distinctive engagement with utopia and the city, the Chicago-based work of the composer and bandleader Sun Ra is examined as a complex, experimental exploration of musical utopia in a post-utopian age."
  
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