Sound Research WIKINDX
Sound Research WIKINDX |
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Jones, M. R., & Yee, W. (1993). Attending to auditory events: The role of temporal organization. In S. McAdams & E. Bigand (Eds), Thinking in Sound: The Cognitive Psychology of Human Audition (pp. 69–112). Oxford: Clarendon Press. Added by: Mark Grimshaw-Aagaard (20/09/2005, 15:38) |
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| Resource type: Book Chapter BibTeX citation key: Jones1993 Email resource to friend View all bibliographic details  |
Categories: General Keywords: Perception Creators: Bigand, Jones, McAdams, Yee Publisher: Clarendon Press (Oxford) Collection: Thinking in Sound: The Cognitive Psychology of Human Audition |
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A large part to do with [Western] music but of some interest for its description of general auditory attention.
Added by: Mark Grimshaw-Aagaard Last edited by: Mark Grimshaw-Aagaard |
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| p.105 "Contemporary approaches that address attending to extended auditory events implicate the role of both immediate and prior experience in shaping schemes that control attending." Added by: Mark Grimshaw-Aagaard |
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p.84
When discussing attention, the authors take Bregman's (1993) auditory scene theory and reformulate it in terms of a stage theory (i.e. auditory perception passes through several stages). Bregman's schemas control selective attention and belongs to the second stage. The preattentive stage is the first stage. Bregman, A. S. (1993). Auditory scene analysis: Hearing in complex environments. In S. McAdams & E. Bigand (Eds), Thinking in Sound: The Cognitive Psychology of Human Audition (pp. 10–36). Oxford: Clarendon Press. Added by: Mark Grimshaw-Aagaard |