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Chagas, P. C. (2005). Polyphony and embodiment: A critical approach to the theory of autopoiesis. Revista Transcultural de Música, 9 Retrieved July 7, 2006, from http://www.sibetrans.com/trans/trans9/chagas.htm 
Added by: Mark Grimshaw-Aagaard (07/07/2006, 11:11)   
Resource type: Web Article
ID no. (ISBN etc.): 1697-0101
BibTeX citation key: Chagas2005
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Categories: General
Keywords: Autopoiesis, Ecology, Space
Creators: Chagas
Collection: Revista Transcultural de Música
Views: 19/811
Abstract
"The term autopoiesis was invented by the neurobiologists Maturana and Varela (1980) as a definition of life. Living systems are autopoietic systems as they produce and reproduce their own constitutive elements including the boundaries that separate them from the environment. Luhmann extends the concept of autopoiesis to social systems, which use communication as their particular mode of autopoietic reproduction. Art is a functional subsystem of the society that operates in the boundary between consciousness and social systems. This article approaches the theory of autopoiesis through the relationship between polyphony and embodiment. It discusses some ideas about sound, aural perception and music in terms of autopoiesis."
Added by: Mark Grimshaw-Aagaard  
Quotes
   "Reverberation becomes an instrument of the deconstruction and re-construction of space"   Added by: Mark Grimshaw-Aagaard
Keywords:   Space
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