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Grimshaw, M., & Garner, T. 2013, September 18–20, Sonosemantics. Paper presented at Audio Mostly 2013, Piteå, Sweden. 
Added by: Mark Grimshaw-Aagaard (11/04/2014, 14:00)   
Resource type: Proceedings Article
Peer reviewed
DOI: 10.1145/2544114.2544126
ID no. (ISBN etc.): 978-1-4503-2659-9
BibTeX citation key: Grimshaw2013a
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Categories: Typologies/Taxonomies
Keywords: Definition of sound, Perception
Creators: Delsing, Garner, Grimshaw, Liljedahl
Publisher: Sonic Studio (Piteå, Sweden)
Collection: Audio Mostly 2013
Views: 7/450
Abstract
The purpose of this positioning paper is to propose a new definitional framework of sound, sonosemantics. The need for this is apparent for a number of reasons. Physiological conditions such as some forms of subjective tinnitus require no sound waves for sound to be heard yet all current mainstream definitions of sound state that sound is a sound wave or that sound requires sound waves for its perception. New research suggests a closer and directly causal identification of sound with emotion than hitherto uncovered. New technology suggests new ways to exploit the possibility of hearing sound in the absence of sound waves.
  
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