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Grimshaw-Aagaard, M. (2019). The necessity of vagueness and ambiguity to the imagining of sound. In M. Grimshaw-Aagaard, M. Walther-Hansen & M. Knakkergaard (Eds), The Oxford Handbook of Sound and Imagination Vol. 1, (pp. 105–113). New York: Oxford University Press. 
Added by: sirfragalot (12/26/2017 03:27:59 PM)   Last edited by: sirfragalot (05/19/2021 08:41:14 AM)
Resource type: Book Article
Peer reviewed
BibTeX citation key: GrimshawAagaard2019c
View all bibliographic details
Categories: General
Keywords: Ambiguity, Imagination, Vagueness
Creators: Grimshaw, Knakkergaard, Walther-Hansen
Publisher: Oxford University Press (New York)
Collection: The Oxford Handbook of Sound and Imagination
Views: 3/139
Abstract

Mark Grimshaw-Aagaard takes issue with the objectification and quantification of (and of­ten outright attempts to eliminate) imprecision and subjectivity in the natural sciences, particularly in acoustics and the field of audio testing. Instead, he argues, experiences of vagueness and ambiguity are essential to an imagining of sound, where that imagination aids in the experiencing of an external world. Such imagination, Grimshaw-Aagaard con­tends, performs a vital role in the emergence of perceptual hypotheses about the external world and thus the presence of our selves in the context of the nonself that is the external world.


  
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