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Corner, J. (1992). Presumption as theory: 'realism' in television studies. Screen, 33(1), 97–102.    
Added by: Mark Grimshaw-Aagaard 28/03/2006, 11:02
There is a realism of form -- "staging, directing, acting, shooting and editing" -- and a realism of theme -- "plausibility of characterization, circumstance and action"
Mentions a further emotional realism based on Ien Ang's Watching Dallas book which is "deep-level resonances with the emotional organization of the viewer"
Defines two initial types of realism as they relate to television:

1. Verisimilitude: being like the real.
2. Reference - being about the real.
Heath, S. (1976). Narrative space. Screen, 17, 68–112.   
Added by: Mark Grimshaw-Aagaard   Last edited by: Mark Grimshaw-Aagaard 19/04/2005, 09:36
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